| Music | |||||
| Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 | ||
| Course Code: | MZK122 | ||||||||
| Course Name: | Temel Müzik Eğitimi ve Solfej II | ||||||||
| Course Semester: | Spring | ||||||||
| Course Credits: |
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| Language of instruction: | TR | ||||||||
| Course Requisites: | |||||||||
| Does the Course Require Work Experience?: | Yes | ||||||||
| Type of course: | Compulsory | ||||||||
| Course Level: |
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| Mode of Delivery: | Face to face | ||||||||
| Course Coordinator : | Öğr.Gör. GÜLŞAH SARGIN KAPTAŞ | ||||||||
| Course Lecturer(s): |
Öğr.Gör. GÜLŞAH SARGIN KAPTAŞ Assoc. Prof. NACİ MADANOĞLU Dr.Öğr.Üyesi FAZIL CEM KÜÇÜMEN Dr.Öğr.Üyesi METİN BAHTİYAR |
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| Course Assistants: |
| Course Objectives: | -To teach and learn how to use of theoretic and solfege of Western Music. To improve musical talent of hearing- listening and writing. -The solfeggio pieces to be read may vary depending on the class level. |
| Course Content: | - Harmonic, melodic, and natural scale exercises in minor tones - Reading and writing exercises in Simple, compound and irregular time signatures (duple, triple and quadruple) - Developing tone knowledge, including 5-sharp and 5-flat tones - Transposition exercises - Tempo and dynamic terms, and their application in the curriculum book - Developing readings in the F clef - Rhythmic readings in G and F clef - Exercises 1-10 from the Tonal Deşifre book - Introduction to 2-sharp and 2-flat tones in solfeggio reading - Dictation exercises - Beginning exercises on listening to and analyzing music |
The students who have succeeded in this course;
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| Week | Subject | Related Preparation |
| 1) | - General information about course content and a general review of the previous term, - Compound Times and their differences from Simple times, hand strokes for compound meters in double, triple, and quadruple time, - General solfeggio and rhythm review, - Ear exercises | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 2) | - Review of minor tones and their varieties, - Solfeggio exercises in the keys of E minor and D minor, - Melody dictation exercises in the key of G Major. | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 3) | -Tonal Deşifre: Practice of all pieces up to exercise 10. - Interval hearing, setting, and interval cycles. - Exercises in rhythmic dictation in compound meters. | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 4) | - Solfeggio and scale exercises in F major and D minor. - Melody dictation, rhythm dictation, and solfeggio exercises in simple and compound meters. - Use of triplets, syncopation, and tied and dotted periods in dictations. | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Tonal Deşifre I |
| 5) | - Review of tempo and dynamic Terms and intermediate terms, - Interval exercises, - Dictation and solfeggio exercises. | Piano Musical ear exercises Rhythmic Reading Melodic reading |
| 6) | -The main degrees of the scale (Tonic, Dominant, Sub-dominant), - Expressions of degrees in specific tones, - Root position (5th) chords, -Root position chord inversions. | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 7) | - General Repetition | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 8) | Midterm Exam a) Theoretical Exam: Melody Dictation in a Minor Key, Measurement Dictation, Creating Chords and Their Inversions, Finding Tones and basic Degrees b) Practical Exam: Sight reading (Rhythmic or Solfeggio) Rhythmic Reading, Solfeggio | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 9) | - Rhythmic reading exercises in simple and compound meters, - Solfeggio in minor and major scales, simple and compound meters, | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 10) | - Theory, Solfeggio, and Rhythm exercises from the Okan University Textbook, - Double-part rhythmic reading exercises accompanied by hand or foot tapping, - Solfeggio exercises in the clef of F, - Practices on nance and speed changes in solfeggios. | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 11) | - Types of cadence (perfect, half, and plagal cadence) - Recognizing cadence zones in solfeggio pieces, - Ear trainings | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Tonal Deşifre I |
| 12) | - Dictation and Solfeggio Studies - Introduction of the Fa key - Left hand playing and right hand singing exercises | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 13) | - Irregular time signatures - Exercises in rhythmic reading and dictation in compound and ırregular time signatures - Studies on the holistic analysis and application of tempo, dynamic, meter, tone, and cadence in solfeggio pieces. | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 14) | - Polyphonic solfeggio exercises from Muammer Sun and Okan University Book, Chapter 2 - Dictation exercises - Revision of the topic on transposition and intervals. | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 15) | - General Repetition; G and F clef together solfeggios | - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej I - Muammer Sun Solfej I - Sight Reading I |
| 16) | - Final Exam; a) Theoretical Exam: - Rhythm Dictation, - Melody Dictation, - Theoretical Questions b) Practical Exam: - Sight-reading, - Solfeggio and Rhythmic Reading, - Theoretical Practical Questions |
| Course Notes / Textbooks: | - Muammer Sun, Solfej 1-2 - Bona ,Temel Müzik Teorisi Nota Okuma Öğrenme Metodu - A.LAVIGNAC , Solêge Des Solfêges - F.FONTAİNE Ritim ve Zaman Duygusunun Temelleri - Okan Üniversitesi Kitabı 2. bölüm |
| References: | Piyano- Piano Dizekli Tahta-Music Notation Board Bilgisayar- Computer |
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| Program Outcomes | |||||||||
| 1) To make students more effective and capable in their future professions as artists | |||||||||
| 2) To increase students’ intuition and discover their creative power throughout their academic careers | |||||||||
| 3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |||||||||
| 4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |||||||||
| 5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |||||||||
| 6) To build aesthetic awareness | |||||||||
| 7) To increase awareness of local and international values surrounding music | |||||||||
| 8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |||||||||
| 9) To build a sensibility for success in their professional lives | |||||||||
| 10) To become well-rounded individuals enriched with an interdisciplinary and diverse education | |||||||||
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution | |
| 1) | To make students more effective and capable in their future professions as artists | |
| 2) | To increase students’ intuition and discover their creative power throughout their academic careers | |
| 3) | By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |
| 4) | To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |
| 5) | By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |
| 6) | To build aesthetic awareness | 5 |
| 7) | To increase awareness of local and international values surrounding music | |
| 8) | To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |
| 9) | To build a sensibility for success in their professional lives | |
| 10) | To become well-rounded individuals enriched with an interdisciplinary and diverse education |
| Expression | |
| Individual study and homework | |
| Lesson | |
| Reading | |
| Homework |
| Homework | |
| Application |
| Semester Requirements | Number of Activities | Level of Contribution |
| Homework Assignments | 20 | % 10 |
| Midterms | 1 | % 30 |
| Final | 1 | % 60 |
| total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 40 | |
| PERCENTAGE OF FINAL WORK | % 60 | |
| total | % 100 | |
| Activities | Number of Activities | Duration (Hours) | Workload |
| Course Hours | 16 | 2 | 32 |
| Midterms | 1 | 1 | 1 |
| Final | 1 | 1 | 1 |
| Total Workload | 34 | ||