Week |
Subject |
Related Preparation |
1) |
- General Repetition in first class informations |
- Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV
- Okan Üniversitesi Teori ve Solfej II
- Muammer Sun Solfej I
- Sight Reading I |
2) |
- Rhythmic and melodic readings of Okan Theory and Solfeggio score
- Repetition of degrees
- Melodic vocalization of scales |
- Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV
- Okan Üniversitesi Teori ve Solfej II
- Muammer Sun Solfej I
- Sight Reading I |
3) |
- Rhythmic readings from Okan theory and solfeggio book
- Combined time studies in Polyrhytm studies
- Introduction to two-voice solfeggio pieces |
- Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV
- Okan Üniversitesi Teori ve Solfej I
- Muammer Sun Solfej I
- Sight Reading I |
4) |
- Combined time rhythmic readings
- Studies on Muammer Sun |
- Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV
- Okan Üniversitesi Teori ve Solfej I
- Muammer Sun Solfej I
- Sight Reading I |
5) |
- Speed and Nuance terms with Example Solfeggio
- Polyrhytm studies
- Deciphering exercises |
- Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV
- Okan Üniversitesi Teori ve Solfej II
- Muammer Sun Solfej I
- Sight Reading I |
6) |
- Studies from the book Tonal Decipher I
- Answering the questions in the Tonal Sight Reading Book I |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
7) |
- General Repetition |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
8) |
- Midterm Exam |
|
9) |
- Evaluation of the exam
- Theoretical studies
- Transpose the given solfeggio piece for the B flat clarinet |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
10) |
- Key reading exercises
- Ear work
- F key rhythmic readings |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
11) |
- Performing minor and major scales
- Parts including left and fa switch |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
12) |
- Rhythmic reading exercises from the book Okan Theory and Solfeggio
- Melodic reading exercises from the book Okan Theory and Solfeggio
- While the left hand is playing on the piano, the right hand is voice-over exercises |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
13) |
- Dictation and solfege studies
- Interval work |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
14) |
- 4 part chord formation exercises on degrees
- Rhythmic and melodic reading
- Deciphering with Muammer Sun and Tonal Decipher I |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
15) |
- General Repetition |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
16) |
- Final Exam |
|
|
Program Outcomes |
Level of Contribution |
1) |
To make students more effective and capable in their future professions as artists |
|
2) |
To increase students’ intuition and discover their creative power throughout their academic careers |
|
3) |
By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists |
|
4) |
To support students along their artistic journey and prepare them for fruitful, fulfilling careers |
|
5) |
By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society |
|
6) |
To build aesthetic awareness |
5 |
7) |
To increase awareness of local and international values surrounding music |
|
8) |
To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work |
|
9) |
To build a sensibility for success in their professional lives |
|
10) |
To become well-rounded individuals enriched with an interdisciplinary and diverse education |
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