Music | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | MZK271 | ||||||||
Course Name: | Studies of Turkish Folk Music II | ||||||||
Course Semester: | Fall | ||||||||
Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Compulsory | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr.Öğr.Üyesi ERHAN ÖZDEMİR | ||||||||
Course Lecturer(s): |
Dr.Öğr.Üyesi ERHAN ÖZDEMİR |
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Course Assistants: |
Course Objectives: | • Explaining the musical genres of folk music, folk music styles and local music authorities through their relations with culture. |
Course Content: | • Folk Music Methods • Musical Genres in Folk Music • Maqams in Local Music |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | • Main/Basic Procedures (2, 3 and 4 period procedures) • Compound Procedures (5, 6, 7, 8 and 9 continuums and all forms) | |
2) | • Mixed Methods (10, 11, 12, 13, 14, 15 tenses and all forms used) | |
3) | • Bozlaklar • Foreign Weather • Yeasts | |
4) | • Divans • Kalenderis • Road Weather | |
5) | • Barak Weather • Hoyrats | |
6) | • Zeybeks • Hormones • Halaylar | |
7) | • Bars • Welcomes • Horas | |
8) | • MIDTERM EXAM • Main/ Basic Procedures (2, 3 and 4 period procedures) • Compound Procedures (5, 6, 7, 8 and 9 continuums and all forms) • Mixed Methods (10, 11, 12, 13, 14, 15 tenses and all forms used) • Bozlaklar • Foreign Weather • Yeasts • Divans • Kalenderis • Road Weather • Barak Weather • Hoyrats • Zeybeks • Hormones • Halaylar • Bars • Welcomes • Horas | |
9) | • Semahs • Sayings • Duvaz-imams | |
10) | • Nowruziyes • Some henna weather • Some laments • Some lullabies | |
11) | • Perception of Authority in Local Music • The Term “Foot” Designed as a Project Draft and Its Current Misuses • Basic Qualifications of Local Music Authorities | |
12) | • La Resolute Authorities • Left Stable Authorities | |
13) | • Si Resolute Authorities | |
14) | Fa sharp Steady Authorities | |
15) | •FINAL EXAM • Semahs • Sayings • Duvaz-imams • Nowruziyes • Some henna weather • Some laments • Some lullabies • Perception of Authority in Local Music • The Term “Foot” Designed as a Project Draft and Its Current Misuses • Basic Qualifications of Local Music Authorities • La Resolute Authorities • Left Stable Authorities • Si Resolute Authorities • Fa sharp Steady Authorities | |
16) | • Repetition of all the topics covered during the term |
Course Notes / Textbooks: | Derste anlatım notları. |
References: | Derste anlatım |
Learning Outcomes | 1 |
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Program Outcomes | |||||||||
1) To make students more effective and capable in their future professions as artists | |||||||||
2) To increase students’ intuition and discover their creative power throughout their academic careers | |||||||||
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |||||||||
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |||||||||
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |||||||||
6) To build aesthetic awareness | |||||||||
7) To increase awareness of local and international values surrounding music | |||||||||
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |||||||||
9) To build a sensibility for success in their professional lives | |||||||||
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To make students more effective and capable in their future professions as artists | |
2) | To increase students’ intuition and discover their creative power throughout their academic careers | |
3) | By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |
4) | To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |
5) | By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |
6) | To build aesthetic awareness | 5 |
7) | To increase awareness of local and international values surrounding music | |
8) | To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |
9) | To build a sensibility for success in their professional lives | |
10) | To become well-rounded individuals enriched with an interdisciplinary and diverse education |
Field Study | |
Expression | |
Brainstorming/ Six tihnking hats | |
Individual study and homework | |
Lesson | |
Reading | |
Report Writing | |
Q&A / Discussion |
Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
Oral Examination | |
Homework | |
Application |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 2 | 32 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 34 |