Music | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | MSC250 | ||||||||
Course Name: | Guitar IV | ||||||||
Course Semester: |
Spring |
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Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Department Elective | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr.Öğr.Üyesi FAZIL CEM KÜÇÜMEN | ||||||||
Course Lecturer(s): |
Dr.Öğr.Üyesi FAZIL CEM KÜÇÜMEN |
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Course Assistants: |
Course Objectives: | Studying the works of the guitar repertoire in various forms suitable for the level, creating the necessary technical and musical equipment, learning the style features. |
Course Content: | · The student has at least a sufficient level of technical and musical proficiency in his class. · Comprehend the studied work and interpretation styles. · Have information about the history of the periods to which the relevant repertoire belongs. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | · Selection of studies and works to be studied. | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
2) | · Deciphering the selected study. | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
3) | · Deciphering the selected piece from category B. | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
4) | · Detailed study of the selected study · Detailed study of the piece selected from category B | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
5) | · Deciphering the selected piece from Category C · Evaluation of the studied works in terms of technique and musicality | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
6) | · Detailed study of the piece selected from Category C · Evaluation of the studied works in terms of technique and musicality | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
7) | · Deciphering of the piece selected from Category D · Evaluation of the studied works in terms of technique and musicality · Flow study at the tempo of the piece selected from the Etude and A category | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
8) | · MIDTERM EXAM | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
9) | · Detailed study of the piece selected from Category D · Evaluation of the studied works in terms of technique and musicality · Etude, flow work in the tempo of the works selected from the A and B categories | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
10) | · Deciphering the selected piece from Category E · Evaluation of the studied works in terms of technique and musicality · Etude, flow work in the tempo of the works selected from the A, B and C categories | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
11) | · Detailed study of the piece selected from Category E · Evaluation of the studied works in terms of technique and musicality · Etude, flow work in the tempo of the works selected from the A, B, C and D categories | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
12) | · Identifying the technical difficulties in the studied works and searching for their solutions. · Playing the etudes and pieces in the tempo of the general flow. | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
13) | · Identifying the technical difficulties in the studied works and searching for their solutions. · Playing the etudes and pieces in the tempo of the general flow. | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
14) | · Evaluation of all the works to be played in the final exam, in tempo and in the general flow. | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
15) | · Final studies and assessments for the Final Exam. | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
16) | FINAL EXAM · Execution of the studied works in the exam | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
Course Notes / Textbooks: | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
References: | A ETÜTLER: Tarrega No.4. Leo Brouwer No.16,18 H.V.Lobos No.1,4,5 B J.S.Bach Prelude-Presto(1.Süit), Sarabande-Gigue-Double(2.Süit), Prelude-Presto(3.Süit) C D.Cimarosa Sonatas (2 ve 3) M.Giuliani Sonata(op.15 ) 1.Bölüm F.Sor Andante Largo(Op.5 no.5) D J.Rodrigo. En Los Trigales H.V.Lobos Prelude No.5 F.M.Torroba Nocturno M.M.Ponce Copla (from sonatina Meridional) A.Tansman Prelude (from Cavatina) E Leo Brouwer Elegio de la Danza F.Martin Prelude and Plainte W.Walton Bagatels No 1, 3 B.Britten Nocturnal(3.Part) |
Learning Outcomes | 1 |
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Program Outcomes | |||||||||
1) To make students more effective and capable in their future professions as artists | |||||||||
2) To increase students’ intuition and discover their creative power throughout their academic careers | |||||||||
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |||||||||
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |||||||||
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |||||||||
6) To build aesthetic awareness | |||||||||
7) To increase awareness of local and international values surrounding music | |||||||||
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |||||||||
9) To build a sensibility for success in their professional lives | |||||||||
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To make students more effective and capable in their future professions as artists | |
2) | To increase students’ intuition and discover their creative power throughout their academic careers | |
3) | By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |
4) | To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |
5) | By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |
6) | To build aesthetic awareness | 5 |
7) | To increase awareness of local and international values surrounding music | |
8) | To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |
9) | To build a sensibility for success in their professional lives | |
10) | To become well-rounded individuals enriched with an interdisciplinary and diverse education |
Expression | |
Individual study and homework | |
Lesson | |
Homework |
Homework | |
Application | |
Presentation |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 1 | 16 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 18 |