Music | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | MZK367 | ||||||||
Course Name: | Theoric and Solfege of TM IV | ||||||||
Course Semester: |
Fall |
||||||||
Course Credits: |
|
||||||||
Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Compulsory Elective | ||||||||
Course Level: |
|
||||||||
Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr.Öğr.Üyesi ÇETİN KÖRÜKÇÜOĞLU | ||||||||
Course Lecturer(s): |
Öğr.Gör. MÜGE HALE ÇETİNTÜRK Dr.Öğr.Üyesi GÖKNİL BISAK ÖZDEMİR |
||||||||
Course Assistants: |
Course Objectives: | It is to give the education and training of Turkish music theory together with solfege practice, based on theoretical and scientific foundations and in accordance with a certain understanding of art. |
Course Content: | • Compound (Ink) Authority concept • Nikriz, Nev'eser Sûzidîl, Şedaraban, Şehnaz, Şehnazbuselik, Hisar, Hisarbuselik makams of Turkish Music Şed and Composite Tunes • 9-beat Ağır Aksak, 10-timer Aksak Semai, Curcuna, Lenkfahte, Ceng-I Harbî methods and solfeggio exercises in these method structures. |
The students who have succeeded in this course;
|
Week | Subject | Related Preparation |
1) | • The concept of COMPOUND (Ink) MADE in Turkish music • Theoretical information of “Nikrîz” maqam • Studies of the work, recognizing the maqam, practices of recognizing the transitions made in the work. | |
2) | • Theoretical information of “Neveser” mode • Teaching the 10-times limping semai and tumultuous procedures • Studies of the work, recognizing the maqam, recognizing the transitions in the work. | |
3) | • Repetition and reinforcement of Nikriz and Neveser makams • 10 measure writing and vocalization exercises. | |
4) | • Theoretical information of “Sûzidîl” mode • Studies of the work, recognizing the maqam, recognizing the transitions in the work. • Reinforcing the 10-time limping semai, uproar procedures | |
5) | • Theoretical information of “Şedaraban” authority • Studies of the work, recognizing the maqam, recognizing the transitions in the work. | |
6) | • Repetition of the makams learned from the beginning of the semester. | |
7) | • "An overview". | |
8) | MIDTERM EXAM • The concept of Compound Makam in Turkish music. • Nikriz, Neveser, Suzidil, Şedaraban authority information • Solfeggio of the learned works in Nikriz, Neveser, Suzidil, Şedaraban makams. • Transition recognition in the studied works. | |
9) | • Exam Evaluation | |
10) | • Theoretical information of “Şehnaz” mode. | |
11) | • Theoretical information of “Şehnazbuselik” mode. | |
12) | • Theoretical information of “Hisâr” mode. | |
13) | • Theoretical information of “Hisârbuselik” mode. | |
14) | • An overview. | |
15) | • An overview. | |
16) | FİNAL SINAVI |
Course Notes / Textbooks: | 1.Arel S, (Hz: Onur Akdoğu) “Türk Musikisi Nazariyatı Dersleri”, Kültür Bakanlığı Yayınları/1347, 1993, Ankara. 2. Özkan, İ.H, “Türk Musikisi Nazariyatı ve Usulleri”, Ötüken Yayınları, 1990, İstanbul. 3. Varol, N., “ Türk Müziği Nazariyat, Usul , Solfej”, Türk Musikisi Vakfı Yayınları, 1998, İstanbul. 4. Kutluğ, F., “Türk Musikisinde Makamlar”Yapı Kredi Yayınları, 2000, İstanbul 5. Yılmaz, Z., “Türk Musikisi Dersleri”, Kardeşler Matbaa, 1988, İstanbul. 6. Hatipoğlu , A., “Türk Musikisi Solfeji”, Dağarcık Yayınları, 1982, Ankara. 7. Bingöl, E., “Türk Musikisinde Makamlar ve Seyir Örnekleri”, Bakırköy Musiki |
References: | 1. İTÜ Konservatuvar Türk Musikisi Nazariyat Ders Notları-Yavuz Özüstün. 2. Kanun, Tanbur vb. Müzik çalar, kaset ve CD |
Learning Outcomes | 1 |
||||||||
---|---|---|---|---|---|---|---|---|---|
Program Outcomes | |||||||||
1) To make students more effective and capable in their future professions as artists | |||||||||
2) To increase students’ intuition and discover their creative power throughout their academic careers | |||||||||
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |||||||||
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |||||||||
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |||||||||
6) To build aesthetic awareness | |||||||||
7) To increase awareness of local and international values surrounding music | |||||||||
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |||||||||
9) To build a sensibility for success in their professional lives | |||||||||
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To make students more effective and capable in their future professions as artists | |
2) | To increase students’ intuition and discover their creative power throughout their academic careers | |
3) | By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |
4) | To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |
5) | By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |
6) | To build aesthetic awareness | |
7) | To increase awareness of local and international values surrounding music | |
8) | To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |
9) | To build a sensibility for success in their professional lives | |
10) | To become well-rounded individuals enriched with an interdisciplinary and diverse education |
Expression | |
Lesson | |
Reading | |
Homework |
Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
Oral Examination | |
Application |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 4 | 64 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 66 |