Music | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | MZK342 | ||||||||
Course Name: | Harmony II | ||||||||
Course Semester: | Spring | ||||||||
Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Compulsory | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Assoc. Prof. NACİ MADANOĞLU | ||||||||
Course Lecturer(s): |
Assoc. Prof. NACİ MADANOĞLU |
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Course Assistants: |
Course Objectives: | • Those whose learned chords are displayed on song and choral items • May be able to harmonize the given soprano part using root and country chords • It will harmonize the bass melody about the four-sixth chord |
Course Content: | • Plays the learned chords on the piano. • Harmonizes the given soprano part using root and inversion chords. • Harmonizing the bass melody on the four-sixth chord |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | • Definition of the first cycle chord • Grading of the first cycle chord • Connection rules between chords | |
2) | • Bass realization with root and sixth chords | |
3) | • The use of hexadecimal chords in cadence | |
4) | • Soprano realization with root and sixth chords | |
5) | • Spelling of sounds with letters • Writing chords with letter system • Writing chords in popular music. • Encrypt a given bass tune | |
6) | • Definition of the second cycle chord • Grading of the second cycle chord • Connection rules between chords | |
7) | • Using four-sixth chords in cadence | |
8) | Midterm | |
9) | • Bass realization with root, hex and quadruple chords | |
10) | • Analysis on songs with learned chords • Analysis on choral works with learned chords | |
11) | • Write simple tunes and piano accompaniments using learned chords | |
12) | - Have students write a bass or soprano tune | |
13) | • Harmonization of bass and soprano part with root, sextet, quadruple-sixth chords | |
14) | • Cadence writing and playing practice • Encrypted and unencrypted bass operation | |
15) | • Bass and soprano part analysis with root, sixth, four-sixth chords • Harmony Practice on the Piano Harmony Practice on the Piano | |
16) | Final Exam |
Course Notes / Textbooks: | Théodore DUBOIS Ahmet Adnan Saygun Musiki Temel Bilgisi Nurhan CANGAL |
References: | Théodore DUBOIS Harmony Ahmet Adnan Saygun Musiki Temel Bilgisi Nurhan CANGAL Harmony |
Learning Outcomes | 1 |
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Program Outcomes | |||||||||
1) To make students more effective and capable in their future professions as artists | |||||||||
2) To increase students’ intuition and discover their creative power throughout their academic careers | |||||||||
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |||||||||
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |||||||||
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |||||||||
6) To build aesthetic awareness | |||||||||
7) To increase awareness of local and international values surrounding music | |||||||||
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |||||||||
9) To build a sensibility for success in their professional lives | |||||||||
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To make students more effective and capable in their future professions as artists | |
2) | To increase students’ intuition and discover their creative power throughout their academic careers | |
3) | By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |
4) | To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |
5) | By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |
6) | To build aesthetic awareness | 5 |
7) | To increase awareness of local and international values surrounding music | |
8) | To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |
9) | To build a sensibility for success in their professional lives | |
10) | To become well-rounded individuals enriched with an interdisciplinary and diverse education |
Individual study and homework | |
Lesson | |
Reading | |
Homework |
Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
Oral Examination | |
Homework | |
Application | |
Individual Project |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 2 | 32 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 34 |