MZK366 Theoric and Solfege of WCM IVIstanbul Okan UniversityDegree Programs MusicGeneral Information For StudentsDiploma SupplementErasmus Policy StatementNational Qualifications
Music
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

General course introduction information

Course Code: MZK366
Course Name: Theoric and Solfege of WCM IV
Course Semester: Spring
Course Credits:
Theoretical Practical Credit ECTS
2 2 3 6
Language of instruction: TR
Course Requisites:
Does the Course Require Work Experience?: No
Type of course: Compulsory Elective
Course Level:
Bachelor TR-NQF-HE:6. Master`s Degree QF-EHEA:First Cycle EQF-LLL:6. Master`s Degree
Mode of Delivery: Face to face
Course Coordinator : Öğr.Gör. METİN BAHTİYAR
Course Lecturer(s): Öğr.Gör. METİN BAHTİYAR
Course Assistants:

Course Objective and Content

Course Objectives: To teach and learn how to use of theoretic and solfege of Western Music.
To improve musical talent of hearing- listening and writing.
Course Content: - Passing readings on the syllabus
- Deciphering exercises with alternating Left and Fa key
- Exercises on cadences
- Harmonic analysis on orchestral score
- Simple solfeggio exercises on the 3rd line do key

Learning Outcomes

The students who have succeeded in this course;
Learning Outcomes
1 - Knowledge
Theoretical - Conceptual
2 - Skills
Cognitive - Practical
1) İnitially to learn basic music theory and doing solfege.
2) - Partition pass reading - Installation of 7th chords - Analysis on the score - To reach a certain level in solfeggio and rhythm
3) To lecture of theory of Western Music and use all of knowledge.
3 - Competences
Communication and Social Competence
Learning Competence
Field Specific Competence
Competence to Work Independently and Take Responsibility

Lesson Plan

Week Subject Related Preparation
1) - General Repetition in first class informations - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
2) - Deciphering - Rhythmic and melodic solfege readings - Left hand playing and right hand singing exercises - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
3) - Practice on tones - Cadence repeats - Play the cadence and sing the score - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
4) - Solfeggio exercises with change of measure numbers from the Tonal Decipher book - Introduction to Secondary Dominant - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
5) - Practice on Secondary Dominants - Analysis of secondary dominant chords on the score - Melodic and rhythmic reading - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
6) - Polyrhytm studies from Okan University Theory and Solfeggio book - Theoretical studies for the composers of the sample works determined from the Okan University Theory and Solfeggio book - Introduction and techniques of the string group - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
7) - General Repetition - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
8) - Midterm Exam - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
9) - Watching the presentations prepared by the students about the string group - Cadences - Repetition of 7th chords - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
10) - Rhythmic and melodic solfege readings - Analysis on the score - Interval exercises from the book tonal sight reading I - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
11) - Choral studies - Dual voice solfeggio readings - Deciphering - Theoretical review - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
12) - Rhythmic Reading Studies - Polyrhytm study - Left hand playing and right hand singing exercises - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej Kitabı III - Tonal Deşifre I
13) - Dictation and solfege studies - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
14) - Study of musical terms - Nuance studies - Fa key and 3rd line do key work - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
15) - General Repetition - Ahmet Adnan Saygun Basic Music I - II - III - IV - Okan University Theory and Solfeggio Book III - Tonal Sight Reading I
16) - Final Exam

Sources

Course Notes / Textbooks: - Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV
- Okan Üniversitesi Teori ve Solfej Kitabı III
- Tonal Deşifre I
References: Piyano- Piano Dizekli Tahta-Music Notation Board Bilgisayar- Computer

Course-Program Learning Outcome Relationship

Learning Outcomes

1

2

3

Program Outcomes
1) To make students more effective and capable in their future professions as artists
2) To increase students’ intuition and discover their creative power throughout their academic careers
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society
6) To build aesthetic awareness
7) To increase awareness of local and international values surrounding music
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work
9) To build a sensibility for success in their professional lives
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education

Course - Learning Outcome Relationship

No Effect 1 Lowest 2 Low 3 Average 4 High 5 Highest
           
Program Outcomes Level of Contribution
1) To make students more effective and capable in their future professions as artists
2) To increase students’ intuition and discover their creative power throughout their academic careers
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society
6) To build aesthetic awareness
7) To increase awareness of local and international values surrounding music
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work
9) To build a sensibility for success in their professional lives
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education

Learning Activity and Teaching Methods

Expression
Lesson
Group study and homework
Reading
Homework
Seminar

Assessment & Grading Methods and Criteria

Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing)
Oral Examination
Homework
Application
Individual Project
Group project
Presentation

Assessment & Grading

Semester Requirements Number of Activities Level of Contribution
Midterms 1 % 40
Final 1 % 60
total % 100
PERCENTAGE OF SEMESTER WORK % 40
PERCENTAGE OF FINAL WORK % 60
total % 100

Workload and ECTS Credit Grading

Activities Number of Activities Duration (Hours) Workload
Course Hours 16 2 32
Midterms 1 1 1
Final 1 1 1
Total Workload 34