Week |
Subject |
Related Preparation |
1) |
- General Repetition in first class informations |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
2) |
- Deciphering
- Rhythmic and melodic solfege readings
- Left hand playing and right hand singing exercises |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
3) |
- Practice on tones
- Cadence repeats
- Play the cadence and sing the score |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
4) |
- Solfeggio exercises with change of measure numbers from the Tonal Decipher book
- Introduction to Secondary Dominant |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
5) |
- Practice on Secondary Dominants
- Analysis of secondary dominant chords on the score
- Melodic and rhythmic reading |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
6) |
- Polyrhytm studies from Okan University Theory and Solfeggio book
- Theoretical studies for the composers of the sample works determined from the Okan University Theory and Solfeggio book
- Introduction and techniques of the string group |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
7) |
- General Repetition |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
8) |
- Midterm Exam |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
9) |
- Watching the presentations prepared by the students about the string group
- Cadences
- Repetition of 7th chords |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
10) |
- Rhythmic and melodic solfege readings
- Analysis on the score
- Interval exercises from the book tonal sight reading I |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
11) |
- Choral studies
- Dual voice solfeggio readings
- Deciphering
- Theoretical review |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
12) |
- Rhythmic Reading Studies
- Polyrhytm study
- Left hand playing and right hand singing exercises |
- Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV
- Okan Üniversitesi Teori ve Solfej Kitabı III
- Tonal Deşifre I |
13) |
- Dictation and solfege studies |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
14) |
- Study of musical terms
- Nuance studies
- Fa key and 3rd line do key work |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
15) |
- General Repetition |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book III
- Tonal Sight Reading I |
16) |
- Final Exam |
|
|
Program Outcomes |
Level of Contribution |
1) |
To make students more effective and capable in their future professions as artists |
|
2) |
To increase students’ intuition and discover their creative power throughout their academic careers |
|
3) |
By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists |
|
4) |
To support students along their artistic journey and prepare them for fruitful, fulfilling careers |
|
5) |
By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society |
|
6) |
To build aesthetic awareness |
|
7) |
To increase awareness of local and international values surrounding music |
|
8) |
To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work |
|
9) |
To build a sensibility for success in their professional lives |
|
10) |
To become well-rounded individuals enriched with an interdisciplinary and diverse education |
|