Week |
Subject |
Related Preparation |
1) |
· General information about the clarinet.
· Study of diaphragm technique, instrument and mouth holding position.
· Getting to Know the Clarinet and Breathing Technique |
Lecture, Discussion
Homework: Repetition of the topics covered in the lesson
BOOK;
L'ABC du Jeune Clarinettiste Vol.1 Principes Rationnels
Guy Dangain J.R. groussain |
2) |
· First area (chalumeau register) exercises in Mi2 – Do1 range.
· Recognizing Left Hand Positions |
Practice, Self study
Homework: Repetition of the topics covered in the lesson, reinforcement on the clarinet. |
3) |
· The first area is exercises in the range Do1 – Sol2.
· Recognizing Left Hand Positions |
Practice, Self study
Homework: Repetition of the topics covered in the lesson, reinforcement on the clarinet. |
4) |
· The first area exercises in the range Do1 - La2. one
· Recognizing Left Hand Positions |
Theoretical lecture, practice, individual study
Homework: Repetition of the topics covered in the lesson, reinforcement on the clarinet. |
5) |
· The first area is parts in the range Do1 - La2.
· Recognizing Left Hand Positions |
Theoretical lecture, practice, individual study
Homework: Repetition of the topics covered in the lesson |
6) |
· The first area is exercises in the range Si1 – Sol1.
· Recognizing Right Hand Positions |
practice, self-study
Homework: Repetition of the topics covered in the lesson |
7) |
· The first area is exercises in the range Si1 – Mi1.
· Recognizing Right Hand Positions |
practice, self-study
Homework: General repetition of the topics covered in the lesson, reinforcement on the clarinet |
8) |
· The first area is the parts in the range Si1 – Mi1.
· Recognizing Right Hand Positions |
Theoretical lecture, practice, individual study
Homework: Repetition of the topics covered in the lesson |
9) |
· The first area is the parts in the range Si1 – Mi1.
· Exercises and parts in the first area and larynx range.
· Recognizing Right Hand Positions
· Recognizing Throat Sounds |
Theoretical lecture, practice, individual study
Homework: Repetition of the topics covered in the lesson |
10) |
1 octave G major scale, arpeggio and arpeggio cycles
Exercises and parts in the first area and laryngeal range
· Studies on the G Major Scale and the Throat Sounds |
Theoretical lecture, practice, individual study
Homework: Repetition of the topics covered in the lesson |
11) |
Exercises and parts in the first area and laryngeal range
· Exercises in All Learned Sounds |
Theoretical lecture, practice, individual study
Homework: Repetition of the topics covered in the lesson |
12) |
1 octave F major scale, arpeggio and arpeggio cycles
Connecting Mi1 – Do1 range sounds to Si2 – Sol3 range sounds
· Transition Studies to Upper Field Sounds |
practice, self-study
Homework: Repetition of the topics covered in the lesson |
13) |
Repetition of learned scales
Work on sounds in the Si2 – Do3 range
· Studies in Scales and Upper Field Sounds |
practice, self-study
Homework: Repetition of the topics covered in the lesson |
14) |
Work on sounds in the Si2 – Do3 range
An overview
Studies in Upper Field Sounds |
Theoretical lecture, practice, individual study
Homework: Repetition of the topics covered in the lesson |
15) |
An overview
Studies in Upper Field Sounds
Repetition of learned scales |
practice, self-study
Homework: Repetition of the topics covered in the lesson |
16) |
• General repetition of the period
· Final exam |
Theoretical lecture, practice, individual study
Homework: Repetition of the topics covered in the lesson |
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Program Outcomes |
Level of Contribution |
1) |
To make students more effective and capable in their future professions as artists |
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2) |
To increase students’ intuition and discover their creative power throughout their academic careers |
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3) |
By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists |
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4) |
To support students along their artistic journey and prepare them for fruitful, fulfilling careers |
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5) |
By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society |
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6) |
To build aesthetic awareness |
5 |
7) |
To increase awareness of local and international values surrounding music |
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8) |
To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work |
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9) |
To build a sensibility for success in their professional lives |
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10) |
To become well-rounded individuals enriched with an interdisciplinary and diverse education |
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