Theatre | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | TİY174 | ||||||||
Course Name: | Acting II | ||||||||
Course Semester: | Spring | ||||||||
Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | Yes | ||||||||
Type of course: | Compulsory | ||||||||
Course Level: |
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Mode of Delivery: | |||||||||
Course Coordinator : | Öğr.Gör. MURAT KARASU | ||||||||
Course Lecturer(s): |
Öğr.Gör. KORHAN KARABAL |
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Course Assistants: |
Course Objectives: | * to improve analytical thinking skills through role and play text. *to increase utterance skills. |
Course Content: | In this lecture; properly to the fundamental needs of acting, it is worked above body and voice usage. Entrance to the emotion and articulation technique is practised. Over the monologes that belongs to the antique and classical periods, the intellectual background of the acting candidates are prepared. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | meeting the students. | |
2) | * warmup exercises *conversation about the text which will be worked on stage. | to read the given text. |
3) | *warmup exercises *actor dramaturgy practice | |
4) | *warmup exercises *actor dramaturgy practice | |
5) | *warmup exercise * accent and tonning practice on the memorised text | |
6) | *warmup exercise * accent and tonning practice on the memorised text | |
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Course Notes / Textbooks: | KONSTANTİN STANİSLAVSKİ Bir Karakter Yaratmak SEVDA ŞENER Dünden Bugüne Tiyatro Düşüncesi SEVDA ŞENER Tüm Antik Dönem Tragedyaları ve Komedyaları SHAKESPEARE Bütün Eserleri AFŞAR TİMUÇİN Düşünce Tarihi 1-2 |
References: |
Learning Outcomes | |||||||||||||
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Program Outcomes | |||||||||||||
1) Art movements are comprehended. | |||||||||||||
2) Acting styles and being able to create roles effectively | |||||||||||||
3) Gain practical experience in theater practices | |||||||||||||
4) The effects of realism and naturalism movements on the theater are conveyed. | |||||||||||||
5) To have basic knowledge and skills about acting styles | |||||||||||||
6) Acquiring play staging experience in the professional process | |||||||||||||
7) Avant-Garde: The relations of Surrealism, Expressionism, Dadaism, Futurism, Cubism movements with the theater are interpreted. | |||||||||||||
8) Political Theater, Documentary Theater and Epic-Dialectical Theater are taught in Political Theater. | |||||||||||||
9) Existential and Absurd Theater are examined. | |||||||||||||
10) Getting to Know the Theater People Who Created Contemporary Acting Styles | |||||||||||||
11) Exploring new creative possibilities | |||||||||||||
12) Introducing students to different acting styles | |||||||||||||
13) Registrar's knowledge is obtained | |||||||||||||
14) The art of theater is performed in interdisciplinary interaction |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | Art movements are comprehended. | |
2) | Acting styles and being able to create roles effectively | |
3) | Gain practical experience in theater practices | |
4) | The effects of realism and naturalism movements on the theater are conveyed. | |
5) | To have basic knowledge and skills about acting styles | |
6) | Acquiring play staging experience in the professional process | |
7) | Avant-Garde: The relations of Surrealism, Expressionism, Dadaism, Futurism, Cubism movements with the theater are interpreted. | |
8) | Political Theater, Documentary Theater and Epic-Dialectical Theater are taught in Political Theater. | |
9) | Existential and Absurd Theater are examined. | |
10) | Getting to Know the Theater People Who Created Contemporary Acting Styles | |
11) | Exploring new creative possibilities | |
12) | Introducing students to different acting styles | |
13) | Registrar's knowledge is obtained | |
14) | The art of theater is performed in interdisciplinary interaction |
Semester Requirements | Number of Activities | Level of Contribution |
total | % | |
PERCENTAGE OF SEMESTER WORK | % 0 | |
PERCENTAGE OF FINAL WORK | % | |
total | % |