Music | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | MSC480 | ||||||||
Course Name: | Viola VII | ||||||||
Course Semester: |
Spring |
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Course Credits: |
|
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | Yes | ||||||||
Type of course: | Department Elective | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Öğr.Gör. ÖYKÜ KOÇOĞLU ERDEM | ||||||||
Course Lecturer(s): |
Öğr.Gör. ÖYKÜ KOÇOĞLU ERDEM |
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Course Assistants: |
Course Objectives: | To teach and learn how to use of theoretic and solfege of Western Music. To improve musical talent of hearing- listening and writing. |
Course Content: | Simple ranges played in the piano sight reading major and minor scales transpose |
The students who have succeeded in this course;
|
Week | Subject | Related Preparation |
1) | General Repetition in first class informations | Piano Musical ear exercises Rhytmic reading Melodic reading |
2) | The forms , rondo | Piano Musical ear exercises Rhytmic reading Melodic reading |
3) | Sol Major and Fa Major -Mi minor-Re Minor tones | Piano Musical ear exercises Rhytmic reading Melodic reading |
4) | La Major-Mi Major- mi flat minor-la flat major sounds | Piano Musical ear exercises Rhytmic reading Melodic reading |
5) | Speed and nuance terms with many solfeges | Piano Musical ear exercises Rhytmic reading Melodic reading |
6) | Listening Turkish Music sounds | Piano Musical ear exercises Rhytmic reading Melodic reading |
7) | General Repetition | Piano Musical ear exercises Rhytmic reading Melodic reading |
8) | MİD-TERM EXAM | Piano Musical ear exercises Rhytmic reading Melodic reading |
9) | Tonal and modal terms | Piano Musical ear exercises Rhytmic reading Melodic reading |
10) | System of Western Music | Piano Musical ear exercises Rhytmic reading Melodic reading |
11) | Diatonic and cromatic sounds | Piano Musical ear exercises Rhytmic reading Melodic reading |
12) | Rhythmic reading works | Piano Musical ear exercises Rhytmic reading Melodic reading |
13) | Dictation and solfege studies | Piano Musical ear exercises Rhytmic reading Melodic reading |
14) | Dictation and solfege studies | Piano Musical ear exercises Rhytmic reading Melodic reading |
15) | General Repetition | Piano Musical ear exercises Rhytmic reading Melodic reading |
16) | FINAL EXAM | Piano Musical ear exercises Rhytmic reading Melodic reading |
Course Notes / Textbooks: | Muammer Sun ,Solfej 1-2 Bona ,Temel Müzik Teorisi Nota Okuma Öğrenme Metodu A.LAVIGNAC , Solêge Des Solfêges F.FONTAİNE Ritim ve Zaman Duygusunun Temelleri |
References: | Piyano- Piano Dizekli Tahta-Music Notation Board Bilgisayar- Computer |
Learning Outcomes | 1 |
2 |
3 |
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Program Outcomes | |||||||||
1) To make students more effective and capable in their future professions as artists | |||||||||
2) To increase students’ intuition and discover their creative power throughout their academic careers | |||||||||
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |||||||||
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |||||||||
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |||||||||
6) To build aesthetic awareness | |||||||||
7) To increase awareness of local and international values surrounding music | |||||||||
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |||||||||
9) To build a sensibility for success in their professional lives | |||||||||
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To make students more effective and capable in their future professions as artists | |
2) | To increase students’ intuition and discover their creative power throughout their academic careers | |
3) | By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |
4) | To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |
5) | By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |
6) | To build aesthetic awareness | 5 |
7) | To increase awareness of local and international values surrounding music | |
8) | To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |
9) | To build a sensibility for success in their professional lives | |
10) | To become well-rounded individuals enriched with an interdisciplinary and diverse education |
Expression | |
Individual study and homework | |
Lesson | |
Reading | |
Homework |
Homework | |
Application |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 1 | 16 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 18 |