Music | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | MSC279 | ||||||||
Course Name: | Viola III | ||||||||
Course Semester: |
Fall |
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Course Credits: |
|
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Department Elective | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Öğr.Gör. ÖYKÜ KOÇOĞLU ERDEM | ||||||||
Course Lecturer(s): |
Öğr.Gör. ÖYKÜ KOÇOĞLU ERDEM |
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Course Assistants: |
Course Objectives: | The aim of this course is to further develop students' viola playing skills, teach intermediate level techniques and enable them to work with more complex repertoire. |
Course Content: | Review and warm-up exercises on basic viola techniques. Studies on arpeggios and bow technique. Creating a harmonious performance between the viola and other stringed instruments. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | Review and warm-up exercises on basic viola techniques. | |
2) | Position changes on the G string and a simple study. | |
3) | laying four-string chords and creating a simple melody with the chords. | |
4) | Studies on arpeggios and bow technique. | |
5) | Analysis and performance of an intermediate level solo piece. | |
6) | Studies on pizzicato technique and playing a piece with pizzicato. | |
7) | An Overview | |
8) | Midterm Exam | |
9) | tudies on advanced bow technique and various bow uses. | |
10) | Analysis and performance of another solo piece at intermediate level | |
11) | Studies on orchestration and playing orchestral works with viola. | |
12) | Advanced chord studies and analysis of the harmonic structure of a piece. | |
13) | Student performances and technical evaluation. | |
14) | End of term evaluations and general evaluation. | |
15) | An Overview | |
16) | Final Exam |
Course Notes / Textbooks: | "Essential Elements for Strings" - Robert Gillespie ve Pamela Tellejohn Hayes "Suzuki Viyola Metodu" - Shinichi Suzuki "Viyola Teknikleri" - Lionel Tertis |
References: | "Essential Elements for Strings" - Robert Gillespie ve Pamela Tellejohn Hayes "Suzuki Viyola Metodu" - Shinichi Suzuki "Viyola Teknikleri" - Lionel Tertis |
Learning Outcomes | 1 |
2 |
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Program Outcomes | |||||||||
1) To make students more effective and capable in their future professions as artists | |||||||||
2) To increase students’ intuition and discover their creative power throughout their academic careers | |||||||||
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |||||||||
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |||||||||
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |||||||||
6) To build aesthetic awareness | |||||||||
7) To increase awareness of local and international values surrounding music | |||||||||
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |||||||||
9) To build a sensibility for success in their professional lives | |||||||||
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To make students more effective and capable in their future professions as artists | |
2) | To increase students’ intuition and discover their creative power throughout their academic careers | |
3) | By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |
4) | To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |
5) | By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |
6) | To build aesthetic awareness | 5 |
7) | To increase awareness of local and international values surrounding music | |
8) | To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |
9) | To build a sensibility for success in their professional lives | |
10) | To become well-rounded individuals enriched with an interdisciplinary and diverse education |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 1 | 16 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 18 |