Week |
Subject |
Related Preparation |
1) |
Introducing major 9th chords. 9th chord setups in specified tones. |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
2) |
Connection rules for major 9th chords
Introducing the 1st cycle of Major 9 chords |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
3) |
Connection rules in Major 9 chords Introducing the 2nd cycle of Major 9 chords |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
4) |
Exceptions in chord connections Introducing the 3rd cycle of Major chords |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
5) |
Basic setup of a minor 9th chord |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
6) |
Connection rules for minor 9th chords Introducing the 1nd cycle of minor 9th chords |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
7) |
General review about 9th chord connections. |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
8) |
Midterm Exam |
|
9) |
Encryption of 9th chords and studies in this context |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
10) |
Connection rules for minor 9th chords Introducing the 2nd cycle of minor 9th chords |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
11) |
Connection rules for minor 9th chords Introducing the 3rd cycle of minor 9th chords |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
12) |
Casting the root sound in 9th chords, connection rules, exceptional situations. |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
13) |
Bass part realization on 9th chords - 1 |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
14) |
Bass part realization on 9th chords - 2 |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
15) |
Soprano part realization on 9th chords |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
16) |
Final Examination |
Théodore DUBOIS
Nurhan CANGAL
Ahmet Adnan Saygun |
|
Program Outcomes |
Level of Contribution |
1) |
To make students more effective and capable in their future professions as artists |
5 |
2) |
To increase students’ intuition and discover their creative power throughout their academic careers |
|
3) |
By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists |
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4) |
To support students along their artistic journey and prepare them for fruitful, fulfilling careers |
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5) |
By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society |
|
6) |
To build aesthetic awareness |
|
7) |
To increase awareness of local and international values surrounding music |
|
8) |
To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work |
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9) |
To build a sensibility for success in their professional lives |
|
10) |
To become well-rounded individuals enriched with an interdisciplinary and diverse education |
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