Music | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | MZS467 | ||||||||
Course Name: | Harmony III | ||||||||
Course Semester: |
Fall |
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Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Department Elective | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Assoc. Prof. NACİ MADANOĞLU | ||||||||
Course Lecturer(s): |
Assoc. Prof. NACİ MADANOĞLU |
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Course Assistants: |
Course Objectives: | This course covers vertical and horizontal polyphony and artifact analysis. It is aimed to develop the creativity of individuals while carrying out musical hearing, reading and writing issues. With this aim, students learn to vocalize and analyze works. |
Course Content: | Dominant 7th and artificial 7th chords and connections. |
The students who have succeeded in this course;
|
Week | Subject | Related Preparation |
1) | Introducing Dominant 7 chords Dominant 7th chord setups in specified tones | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
2) | Connection rules for dominant 7th chords Introducing the 1st cycle of the dominant 7th chords | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
3) | Connection rules for dominant 7th chords Introducing the 2nd cycle of 7th chords | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
4) | Exceptions in chord links Introducing the 3rd cycle of the dominant 7th chords | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
5) | General repetition of learned Dominant 7th chords | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
6) | Explaining the connection of 7th chords and introducing the rules. connecting two dominant chords, V7-VI connection. Connecting 7th chords to 6th chords | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
7) | General review about 7th chord connections. | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
8) | Midterm | |
9) | Encryption of 7th chords and studies in this context. | Théodore DUBOIS |
10) | Bass analysis using 5th 6th 4th 6th and dominant 7th chords | Théodore DUBOIS |
11) | Discarding the main voice, discarding the 5th and exceptional cases in 7th chords. | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
12) | Bass part realization on 7th chords - 1 Minor 7th chord | Théodore DUBOIS |
13) | Bass part realization on 7th chords - 2 Major 7th chord | Théodore DUBOIS |
14) | Soprano realization on 7th chords - 1 | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
15) | Soprano realization on 7th chords- 1 | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
16) | Final Examination |
Course Notes / Textbooks: | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
References: | Théodore DUBOIS Nurhan CANGAL Ahmet Adnan Saygun |
Learning Outcomes | 1 |
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Program Outcomes | |||||||||
1) To make students more effective and capable in their future professions as artists | |||||||||
2) To increase students’ intuition and discover their creative power throughout their academic careers | |||||||||
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |||||||||
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |||||||||
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |||||||||
6) To build aesthetic awareness | |||||||||
7) To increase awareness of local and international values surrounding music | |||||||||
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |||||||||
9) To build a sensibility for success in their professional lives | |||||||||
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To make students more effective and capable in their future professions as artists | 5 |
2) | To increase students’ intuition and discover their creative power throughout their academic careers | |
3) | By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |
4) | To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |
5) | By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |
6) | To build aesthetic awareness | |
7) | To increase awareness of local and international values surrounding music | |
8) | To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |
9) | To build a sensibility for success in their professional lives | |
10) | To become well-rounded individuals enriched with an interdisciplinary and diverse education |
Expression | |
Lesson | |
Reading | |
Homework |
Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
Oral Examination | |
Homework | |
Application |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 2 | 32 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 34 |