Week |
Subject |
Related Preparation |
1) |
The emergence of genres in the arts: why we need genres |
Tzvetan Todorov |
2) |
The emergence of film genres: The Classic Hollywood |
Schatz, T. (1981). Hollywood Genres - Formulas, Filmmaking and The Studio System. New York: Random House.
Bordwell, D., Thompson, K., & Smith, J. (2020). Film Art: An Introduciton. New York: McGraw-Hill Education. |
3) |
Methods of species analysis: Iconological analysis |
B. K. Grant - Reader IV, F. G. Film Genre Reader IV. Austin: University of Texas Press. |
4) |
Methods of generic analysis: Mythic Analysis |
B. K. Grant - Reader IV, F. G. Film Genre Reader IV. Austin: University of Texas Press. |
5) |
Methods of generic analysis: Ideological Analysis |
Robin Wood, at all - American Nightmare: Essays on the Horror Film (1. b., s. 7-28). Toronto: Festival of Festivals. |
6) |
Methods of generic analysis: Structural Analysis |
Altman, R. (2000). Film/Genre. London: British Film Institute. |
7) |
Methods of generic analysis: Post-Structural Analysis |
Collins, J. (1993). Film Theory Goes to The Movies. New York: Routledge.
Neale, S. (2000). Genre and Hollywood. Londra: Routledge. |
8) |
Mid-term |
none |
9) |
To examines the Classic Hollywood's dominant film genres |
Schatz, T. (1981). Hollywood Genres - Formulas, Filmmaking and The Studio System. New York: Random House.
Sklar, D. (1994). Movie-Made America: A Cultural History Of American Movies . New York: Vintage Books. |
10) |
The components of film genre in American cinema: The effect of production, distrubition and audience |
Neale, S. (2000). Genre and Hollywood. Londra: Routledge.
Sklar, D. (1994). Movie-Made America: A Cultural History Of American Movies . New York: Vintage Books. |
11) |
Hybrid film genres and new approaches to film genres |
Collins, J. (1993). Film Theory Goes to The Movies. New York: Routledge.
Bordwell, D., Thompson, K., & Smith, J. (2020). Film Art: An Introduciton. New York: McGraw-Hill Education. |
12) |
Presentations: Structural analysis and film analysis sample |
none |
13) |
Presentations: Post-structural analysis and film analysis sample |
none |
14) |
Presentations: Ideological analysis and film analysis sample |
none |
15) |
General evaluation |
none |
16) |
Final exam |
none |
Course Notes / Textbooks: |
Abisel, N. (1995). Popüler Sinema ve Türler (1. b.). İstanbul: Alan Yayıncılık.
E. Yılmaz. Filmde Yöntem ve Eleştiri. Ankara: De Ki Basım Yayım.
Todorov, T. (2004). Fantastik. İstanbul: Metis |
References: |
Altman, R. (2000). Film/Genre. London: British Film Institute.
Bordwell, D., Thompson, K., & Smith, J. (2020). Film Art: An Introduciton. New York: McGraw-Hill Education.
Collins, J. (1993). Film Theory Goes to The Movies. New York: Routledge.
B. K. Grant - Reader IV, F. G. Film Genre Reader IV. Austin: University of Texas Press.
Neale, S. (2000). Genre and Hollywood. Londra: Routledge.
Schatz, T. (1981). Hollywood Genres - Formulas, Filmmaking and The Studio System. New York: Random House.
Sklar, D. (1994). Movie-Made America: A Cultural History Of American Movies . New York: Vintage Books.
Robin Wood, at all - American Nightmare: Essays on the Horror Film (1. b., s. 7-28). Toronto: Festival of Festivals. |