Music | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | MSC182 | ||||||||
Course Name: | Acordeon Instrument Traınıng II | ||||||||
Course Semester: |
Spring |
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Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Department Elective | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Öğr.Gör. AZİZ ALİ ELYAĞUTU | ||||||||
Course Lecturer(s): |
Öğr.Gör. AZİZ ALİ ELYAĞUTU |
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Course Assistants: |
Course Objectives: | Student in accordion instrumentation, preparation of world literature. In addition, with its intercultural playing feature, it reaches the stage where it can perform different types of musical performances on its instrument. |
Course Content: | In this program, during the "Preliminary Preparation and Development" processes of the instrument, the student; • History of the instrument • Theoretical knowledge of the instrument • In All Tones -MAJOR -MINOR Natural, Harmonic, Melodic -one. In Tetrachord, _Increased Paired Sequence _ Missing Rank 2 Series (Phrygian Mode) _ Missing 2nd and 4th Ranked Series Ascending and Descending Scale Studies have been completed. • In All Tones - Chord and Double Voice Printing Exercises - Independent finger exercises are performed during the Chord and Double Voice Printing Process. • In All Tones - Chromatic - Arpeggio - Range Skip - Auf Takt - Trill - Bellow Trill - Grupetto - Mordant And Hemiola is an advanced level program that includes the ACCORDION MUSIC REPERTOIRE, following a training program in which the values are studied and studied in different rhythmic structures. At this level, the repertoire of Classical Music examples will be studied, as well as the music of the cultures reached by the Accordion Instruments. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | • Repetition and presentation of 1st Term information • In order to be able to play the instrument faster, demonstrations of the etudes to be passed are made by the teacher. • Works worth 16 and 32 notes are given as homework. | |
2) | • Works with 2 - 3 sharps and flats in 16th value are performed. - Scale Study of Major and Minor Scales. Includes Exercises of Harmonic Minor, Melodic Minor, +2, -2 and -2-4 Scale Scales. | |
3) | • Works with 4, 5, 6 sharps and flats in 16th value are performed. - Scale Study of Major and Minor Scales. Includes Exercises of Harmonic Minor, Melodic Minor, +2, -2 and -2-4 Scale Scales | |
4) | • Special exercises are performed for the 4th and 5th fingers of the Right Hand. • Bass Accompaniment works are performed. • Repertoire piece suggestion and selection is made by the teacher. | |
5) | • Chromatic Study Samples are Voiced. | |
6) | • Interval Exercises are Performed in 16th and 32nd Values. - Intervals of 3, 4 and 5. | |
7) | • Interval Exercises are Performed in 16th and 32nd Values. - Intervals of 6, 7 and 8. | |
8) | • Hemiola Values; Trill, Extension Bag, Triole studies are performed in selected tones. | |
9) | • Hemiola Values; Syncope, Auf Takt, Bellow Trill works are performed in selected tones. | |
10) | • Hemiola Values: mixed works consisting of the studied etudes are performed in selected tones. Bass accompaniment is also added to this work. | |
11) | • Within the scope of all program information, etudes in which different sound sequences and rhythmic structures are performed are studied. - In the Series of +2; 5, 6, 7 time works are performed. | |
12) | • Within the scope of all program information, etudes in which different sound sequences and rhythmic structures are performed are studied. - -In a Series of 2; Works in 8, 9, 11 time are performed. | |
13) | • Within the scope of all program information, etudes in which "different sound sequences and rhythmic structures" are performed are studied. - -2 - In a Series of 4; Works in 12, 13, 14 time are performed. | |
14) | • Presentation (A small concert of what the student has learned and what she can do, with etudes or repertoire pieces of her own choosing) | |
15) | • Presentation (A small concert of what the student has learned and what she can do, with etudes or repertoire pieces of her own choosing) | |
16) | • EXAM - This exam, including 1st Term Information; o Scale studies in all tones at values of 16 and 32, o Studies in hemiola values such as Chromatic, Arpeggio, Syncope, Skip Interval, Auf Takt, Trill, Triole, Bellow Trill etc., o Voicing bass and chord accompaniment while voicing hemiola values It includes the knowledge and skills of performing repertoire pieces along with relevant studies. |
Course Notes / Textbooks: | Ders esnasında alınan notlar. |
References: | Arşivden notalar. |
Learning Outcomes | 1 |
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Program Outcomes | |||||||||
1) To make students more effective and capable in their future professions as artists | |||||||||
2) To increase students’ intuition and discover their creative power throughout their academic careers | |||||||||
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |||||||||
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |||||||||
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |||||||||
6) To build aesthetic awareness | |||||||||
7) To increase awareness of local and international values surrounding music | |||||||||
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |||||||||
9) To build a sensibility for success in their professional lives | |||||||||
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To make students more effective and capable in their future professions as artists | 5 |
2) | To increase students’ intuition and discover their creative power throughout their academic careers | |
3) | By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |
4) | To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |
5) | By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |
6) | To build aesthetic awareness | |
7) | To increase awareness of local and international values surrounding music | |
8) | To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |
9) | To build a sensibility for success in their professional lives | |
10) | To become well-rounded individuals enriched with an interdisciplinary and diverse education |
Expression | |
Individual study and homework | |
Lesson | |
Reading | |
Homework |
Homework | |
Application | |
Presentation |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 1 | 16 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 18 |