Music Program's Proficiency in Art Degree | |||||
Proficiency in Art | TR-NQF-HE: Level 8 | QF-EHEA: | EQF-LLL: Level 8 |
Course Code: | MZK623 | ||||||||
Course Name: | Türk Dünyasında Aşık Sanatı | ||||||||
Course Semester: | Spring | ||||||||
Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Department Elective | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr.Öğr.Üyesi ERHAN ÖZDEMİR | ||||||||
Course Lecturer(s): |
Öğr.Gör. MELİH DUYGULU |
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Course Assistants: |
Course Objectives: | The aim of this course is to teach students the history and cultural significance of ashug art in the Turkish world and other aspects of this art. Explaining their relationship with music and poetry genres, providing students with traditional knowledge through the examination of the tradition of minstrelsy. To provide a deep understanding of Turkish music and literature. |
Course Content: | Fundamentals of Minstrel Art Lover Poets and Their Poems Ashik Musicians and Repertoire |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | Fundamentals of Minstrel Art History and origins of minstrel art. Cultural importance of ashug art. | |
2) | Fundamentals of Minstrel Art History and origins of minstrel art. Cultural importance of ashug art. | |
3) | Lover Poets and Their Poems Yunus Emre and his love poem. Karacaoğlan's life and works. The poetic tradition of wandering lovers. | |
4) | Lover Poets and Their Poems Yunus Emre and his love poem. Karacaoğlan's life and works. The poetic tradition of wandering lovers. | |
5) | Lover Poets and Their Poems Yunus Emre and his love poem. Karacaoğlan's life and works. The poetic tradition of wandering lovers. | |
6) | Ashik Musicians and Repertoire The music of poets in love. Instruments used by lovers. The prominent modes of Ashik music. | |
7) | Ashik Musicians and Repertoire The music of poets in love. Instruments used by lovers. The prominent modes of Ashik music. | |
8) | Ashik Musicians and Repertoire The music of poets in love. Instruments used by lovers. The prominent modes of Ashik music. | |
9) | Minstrel Traditions in Steppe Cultures Ashuk tradition in different regions of Anatolia. Similarities between the Ashik tradition between Mongolia and Altai Turks. | |
10) | Minstrel Traditions in Steppe Cultures Ashuk tradition in different regions of Anatolia. Similarities between the Ashik tradition between Mongolia and Altai Turks. | |
11) | Minstrel Traditions in Steppe Cultures Ashuk tradition in different regions of Anatolia. Similarities between the Ashik tradition between Mongolia and Altai Turks. | |
12) | Contemporary Interpretations in Minstrel Art Today, the continuation of ashug art and contemporary interpretations. Student projects and presentations. | |
13) | Contemporary Interpretations in Minstrel Art Today, the continuation of ashug art and contemporary interpretations. Student projects and presentations. | |
14) | Contemporary Interpretations in Minstrel Art Today, the continuation of ashug art and contemporary interpretations. Student projects and presentations. | |
15) | Contemporary Interpretations in Minstrel Art Today, the continuation of ashug art and contemporary interpretations. Student projects and presentations. | |
16) | Final Exam |
Course Notes / Textbooks: | "Aşık Tarzı Şiir ve Müziği" - Ruhi Su "Türk Halk Edebiyatı" - Talat Halman "Divan-ı Hikmet" - Karacaoğlan Aşık sanatı örnekleri ve geleneği hakkındaki akademik makaleler. |
References: | "Aşık Tarzı Şiir ve Müziği" - Ruhi Su "Türk Halk Edebiyatı" - Talat Halman "Divan-ı Hikmet" - Karacaoğlan Aşık sanatı örnekleri ve geleneği hakkındaki akademik makaleler. |
Learning Outcomes | 1 |
2 |
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Program Outcomes | ||
1) To provide a scientific understanding of music in addition to the work she will do with her instrument in the field of practice. |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To provide a scientific understanding of music in addition to the work she will do with her instrument in the field of practice. | 5 |
Expression | |
Individual study and homework | |
Lesson | |
Reading |
Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
Oral Examination | |
Homework |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 2 | 32 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 34 |