Master of Arts in Cinema & Television with thesis | |||||
Master | TR-NQF-HE: Level 7 | QF-EHEA: Second Cycle | EQF-LLL: Level 7 |
Course Code: | SİN538 | ||||||||
Course Name: | Seminar (Auteur Cinema) | ||||||||
Course Semester: | Spring | ||||||||
Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Compulsory | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr.Öğr.Üyesi MURAT TIRPAN | ||||||||
Course Lecturer(s): |
Prof. Dr. SÜREYYA ÇAKIR |
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Course Assistants: |
Course Objectives: | - The student's assimilation of the purposeful use of light with the basic photo information acquired during the fall semester, and adding aesthetic value to the photography with the applications it will make in line with the visual expression and design principles, - It is aimed to recognize the photographers who are specialized in their fields and develop visual memory of their works with the given research subjects. |
Course Content: | The course includes basic photographic information and information to understand the visual expression principles of the photo. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | In the first lesson, the basic photo information given in the fall term will be summarized and transferred to the students accompanied by a visual presentation, and the transfer of new basic photo information will be continued. "Intensity of Light": Hard Light - Soft Light | none |
2) | “Direction of Light”: - Direct Light - Indirect Light - Basic Lighting: Light from Front, Side, Back, Hill, Bottom | none |
3) | “Portrait Photography” Lights used for portrait shooting in the studio: "Main Light" (Model Light - Key Light), "Fill Light", "Hair Light", "Fund Light ”,“ Effect Light ”(effect light)? Making definitions and observing the effects of these lights on the live model in the applications to be made in the studio. | none |
4) | “Whole Face” / Practice-1 According to the lateral positions and vertical angles of the light coming into the model, examining the effects on the model and shooting applications. Lateral Positions: a) Central Lighting (0), b) Off-Center Lighting (20- 25), c) Cross Lighting (45), d) Side Lighting (70), e) Side-Back Lighting (115), f) Edge Lighting (135), g) Back (Reverse) Lighting (180) Vertical Locations: a) Lighting from below (-35 / -45), b) Straight Slope (0), c) Low-Medium Slope (20 / 30), d) Medium Slope (40 / 45), e) High-Medium Slope (60), f) High Slope (75), g) Overhead Lighting: 90) | none |
5) | Shooting practices will continue for the “All Face” position. | none |
6) | “3/4 Faces” and “Profile Faces” / Practice-2 - Lateral positions, - Vertical angles Shooting will be done by examining the effects. | none |
7) | Midterm | none |
8) | Lighting for Transparent / Translucent objects / Application-3 In applications to be made in the studio, a) Front-Center lighting, b) Bottom Lighting, c) Back Lighting d) Alt + Back Lighting, e) By making Top Lighting It is aimed to increase the visual effects of objects and to gain an aesthetic perspective. | none |
9) | Composition in the photo: "Golden Ratio". “Point of Interest and Significance in Photography”. Transferring the subject with visual presentation and watching related examples. | none |
10) | Visual Expression Elements of Photography: Texture, Contrast. Transferring the subject with visual presentation and watching related examples. | none |
11) | Visual Expression Elements of Photography: Depth / Perspective, Ratios. Transferring the subject with visual presentation and watching related examples. | none |
12) | Visual Expression Elements of Photography: Balance, Rhythm, Harmony / Harmony. Transferring the subject with visual presentation and watching related examples. | none |
13) | Visual Expression Elements of Photography: Speed and Motion Impression, Integrity Transferring the subject with visual presentation and watching related examples. | none |
14) | General Evaluation | none |
15) | Final Exam | none |
16) | Final Exam | none |
Course Notes / Textbooks: | “Fotoğrafın Temel Prensipleri” Prof.Dr.Özer Kanburoğlu, Say Yayınları, 2017 “Temel Fotoğrafçılık” Gazi Yüksel, Yüksel Yayınları,2010 |
References: | Önerilen Kaynak Kitaplar: “Her Yönüyle Fotoğraf Sanatı” John Hedgecoe, Remzi Kitabevi |
Learning Outcomes | 1 |
2 |
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Program Outcomes | ||
1) The Master program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods. | ||
2) Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector. |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | The Master program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods. | 5 |
2) | Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector. | 5 |
Expression | |
Individual study and homework | |
Lesson | |
Reading | |
Homework | |
Q&A / Discussion |
Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
Homework | |
Application | |
Individual Project | |
Presentation |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 3 | 48 |
Application | 5 | 15 | 75 |
Project | 3 | 20 | 60 |
Homework Assignments | 5 | 20 | 100 |
Midterms | 1 | 3 | 3 |
Final | 1 | 3 | 3 |
Total Workload | 289 |