Cinema and Television (DR) | |||||
PhD | TR-NQF-HE: Level 8 | QF-EHEA: Third Cycle | EQF-LLL: Level 8 |
Course Code: | SIN601 | ||||||||
Course Name: | Psychoanalytic Approaches in Film Critic | ||||||||
Course Semester: | Fall | ||||||||
Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Compulsory | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr.Öğr.Üyesi MURAT TIRPAN | ||||||||
Course Lecturer(s): |
Dr.Öğr.Üyesi MURAT TIRPAN |
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Course Assistants: |
Course Objectives: | It aims to be able to analyze movies as psychoanalytic texts. It enables students to relate to social sciences that out of film studies. |
Course Content: | The course examines psychoanalytic approaches to film critic in cinema. It depicts the samples of psychoanalysis theories concepts and contents through the characters analysis of movies. To discuss the differences in film analysis of various psychoanalytic analysis methods. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | The emergence and first contacts of psychology and cinema together | none |
2) | The basic terms of psychology, Sigmund Freud and the early stages of psychoanalysis | none |
3) | Sigmund Freud and its basic terms, Film review: Psycho (Alfred Hitchcock, 1960) | none |
4) | Carl Gustav Jung and his psychology approach | none |
5) | Film review: Blade Runner (Ridley Scott, 1982) | none |
6) | Jacques Lacan effect in psychoanalysis | none |
7) | midterm | none |
8) | Jacques Lacan and its basic terms | none |
9) | Watching Film and Lacanian Evaluation: Pi, Direction: Darren Aranofsky | Todd McGowan, Sheila Kunkle, Lacan and Contemporary Cinema |
10) | The policy of psychoanalysis: Dark City, direction: Alex Proyas | Todd McGowan, Sheila Kunkle, Lacan and Contemporary Cinema |
11) | Film review: Thelma and Louise, Direction: Ridley Scott, 1991 | none |
12) | Psychoanalytic film theory: "Secrets of the Mirror" | none |
13) | General evaluation | none |
14) | final exam | none |
Course Notes / Textbooks: | Yok |
References: | N/A |
Learning Outcomes | 1 |
2 |
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Program Outcomes | ||
1) PhD program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods. | ||
2) Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector. |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | PhD program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods. | 5 |
2) | Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector. | 5 |
Expression | |
Brainstorming/ Six tihnking hats | |
Individual study and homework | |
Lesson | |
Homework | |
Q&A / Discussion |
Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
Oral Examination | |
Homework | |
Application | |
Presentation |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 16 | 256 |
Application | 1 | 1 | 1 |
Study Hours Out of Class | 1 | 1 | 1 |
Presentations / Seminar | 1 | 1 | 1 |
Homework Assignments | 1 | 1 | 1 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 262 |