Cinema and Television (DR) | |||||
PhD | TR-NQF-HE: Level 8 | QF-EHEA: Third Cycle | EQF-LLL: Level 8 |
Course Code: | SIN605 | ||||||||
Course Name: | Creativity in Documentary Film | ||||||||
Course Semester: | Fall | ||||||||
Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Department Elective | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr.Öğr.Üyesi BAHAR KILIÇ ADİLÇE | ||||||||
Course Lecturer(s): |
Dr.Öğr.Üyesi BAHAR KILIÇ ADİLÇE |
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Course Assistants: |
Course Objectives: | It aims to enable students to acquire creative approaches in documentary, apart from the traditional didactic narrative structure of the documentary. |
Course Content: | The course examines creative methods in documentary filmmaking against conventional storytelling. To be discussed is the film technique used to create a unique documentary film language. It depicts the contribution of creativity from the components that emerged in the film’s elements. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | Documentary technique in cinema and components of traditional documentary | none |
2) | Main shooting techniques in documentary filmmaking | none |
3) | Spatial and emotional impact of shots, contribution of continuity to reality Observer Documentary and recognition of characters through conversations: edit to cut | none |
4) | Dramatic structure in documentary | none |
5) | Dramatic structure in documentary | none |
6) | Creating protagonist in documentary | none |
7) | The structuring of the narrative – the story and the storyline Perspective and subjectivity | none |
8) | Brecht and alienating the audience segmented narration | none |
9) | mid-term | none |
10) | Experimental documentary and essay-film | none |
11) | Experimental documentary and essay-film | none |
12) | From archive to narrative: Making meaning in desktop documentary filmmaking | none |
13) | Directing in a documentary: recording the mise en scene and performance | none |
14) | Director's point of view and ethical distance from the object in documentary cinema | none |
15) | General evaluation | none |
16) | Final exam | none |
Course Notes / Textbooks: | yok |
References: | none |
Learning Outcomes | 1 |
2 |
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Program Outcomes | ||
1) PhD program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods. | ||
2) Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector. |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | PhD program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods. | 5 |
2) | Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector. | 5 |
Expression | |
Brainstorming/ Six tihnking hats | |
Individual study and homework | |
Lesson | |
Homework | |
Q&A / Discussion |
Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
Oral Examination | |
Homework | |
Application | |
Presentation |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 16 | 256 |
Application | 1 | 1 | 1 |
Study Hours Out of Class | 1 | 1 | 1 |
Presentations / Seminar | 1 | 1 | 1 |
Homework Assignments | 1 | 1 | 1 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 262 |