Cinema and Television (DR) | |||||
PhD | TR-NQF-HE: Level 8 | QF-EHEA: Third Cycle | EQF-LLL: Level 8 |
Course Code: | SIN616 | ||||||||
Course Name: | Photographic Image in Cinema - 2 | ||||||||
Course Semester: | Spring | ||||||||
Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Department Elective | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr.Öğr.Üyesi BURAK KAPLAN | ||||||||
Course Lecturer(s): | |||||||||
Course Assistants: |
Course Objectives: | Examines photographic images for the contribution of storytelling at the cinematography. |
Course Content: | The visual aesthetics of cinema is analyzed with the concepts of photography techniques. To be discussed design differences between documentary and fiction images of the movies. |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | Introduction to the basic concepts of semiotics, field of study and application as a method. | none |
2) | Text analysis, sample semiotics analysis; visual and textual | none |
3) | Text and visual analysis: semiotic approaches to TV: camera angles, news photography and semiotics | none |
4) | Traditional visual art and modern cinema: 1960s and new propositions | none |
5) | From Modernism to Postmodernism: New Avant-garde approaches | none |
6) | Eclectic cinema and postmodern parody | none |
7) | Postmodern: Extinction of categories, plural forms of expression | none |
8) | Mid-term | none |
9) | Representations in art: Culture against nature | none |
10) | Audience participation and relational aesthetics | none |
11) | Sound and visual aesthetic in essay-films | none |
12) | To analyze the modern French documentary through the semiotic method: Jean-Luc Godard and Chris Marker | none |
13) | Perception in photography: What is reality through sample of the Letter to Jane | none |
14) | Perception in cinema | none |
15) | General evaluation | none |
16) | Final exam | none |
Course Notes / Textbooks: | yok |
References: | yok |
Learning Outcomes | 1 |
2 |
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Program Outcomes | ||
1) PhD program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods. | ||
2) Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector. |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | PhD program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods. | 5 |
2) | Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector. | 5 |
Expression | |
Brainstorming/ Six tihnking hats | |
Individual study and homework | |
Lesson | |
Homework | |
Q&A / Discussion |
Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
Oral Examination | |
Homework | |
Application | |
Presentation |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 16 | 256 |
Application | 1 | 1 | 1 |
Study Hours Out of Class | 1 | 1 | 1 |
Presentations / Seminar | 1 | 1 | 1 |
Homework Assignments | 1 | 1 | 1 |
Midterms | 1 | 1 | 1 |
Paper Submission | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 263 |