Cinema and Television (DR)
PhD	TR-NQF-HE: Level 8	QF-EHEA: Third Cycle	EQF-LLL: Level 8

General course introduction information

Course Code:

SIN617

Course Name:

Different Approaches in Film Critic - 1

Course Semester:

Fall

Course Credits:

Theoretical	Practical	Credit	ECTS
3	0	3	10

Language of instruction:

Course Requisites:

Does the Course Require Work Experience?:

Type of course:

Department Elective

Course Level:

PhD

TR-NQF-HE:8. Master`s Degree

QF-EHEA:Third Cycle

EQF-LLL:8. Master`s Degree

Mode of Delivery:

Face to face

Course Coordinator :

Dr.Öğr.Üyesi ALPER MAZMAN

Course Lecturer(s):

Prof. Dr. SÜREYYA ÇAKIR
Dr.Öğr.Üyesi ALPER MAZMAN

Course Assistants:

Course Objectives:	It depicts analysis methods borrowed from social sciences through the aspect of the movies.
Course Content:	The course examines different film analysis methods in cinema It represents the opportunity to make diversified analyze at the same time of movies with various approaches.

The students who have succeeded in this course;

Learning Outcomes

1 - Knowledge
Theoretical - Conceptual
1) Using from social science analytical and critical approaches analyze, compare, evaluate and analyze media texts designs original texts.
2 - Skills
Cognitive - Practical
3 - Competences
Communication and Social Competence
Learning Competence
Field Specific Competence
Competence to Work Independently and Take Responsibility

Week	Subject	Related Preparation
1)	To analyze movies as texts	none
2)	Searching social sciences issues in movies	none
3)	Linguistic analysis of cinema: Christian Metz's model	Film Language A Semiotics of the Cinema - Christian Metz
4)	Semiotic analysis in cinema: The method of Roland Barthes and discourse, narrative and mail structure analysis	Barthes, R. (1968). Elements of Semiology Hill and Wang: New York.
5)	Semiotic analysis in cinema: The method of Roland Barthes and discourse, narrative and mail structure analysis	Barthes, R. (1968). Elements of Semiology Hill and Wang: New York.
6)	Ideological analysis in cinema: What mainstream cinema hides	Camera Politica The Politics and Ideology of Contemporary Hollywood Film by Michael Ryan Douglas Kellner
7)	Ideological analysis in cinema: What mainstream cinema hides	Camera Politica The Politics and Ideology of Contemporary Hollywood Film by Michael Ryan Douglas Kellner
8)	Mid-term	none
9)	The mythic function of film genres: Approach of Thomas Schatz	Hollywood Genres: Formulas, Filmmaking, and The Studio System - Thomas Schatz
10)	The psychoanalytic method in film studies: Freud and the basic concepts of psychoanalysis	none
11)	Feminist culture and queer theory	none
12)	Transnational film studies in cinema: Migrant culture	An Accented Cinema - Hamid Naficy
13)	The sample of film analysis and student presentations	none
14)	The sample of film analysis and student presentations	none
15)	The sample of film analysis and student presentations	none
16)	Final exam	none

Course Notes / Textbooks:	yok
References:	yok

Learning Outcomes	1
Program Outcomes
1) PhD program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods.
2) Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector.

No Effect	1 Lowest	2 Low	3 Average	4 High	5 Highest

	Program Outcomes	Level of Contribution
1)	PhD program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods.	5
2)	Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector.	5

Expression
Brainstorming/ Six tihnking hats
Individual study and homework
Lesson
Homework
Q&A / Discussion

Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing)
Oral Examination
Homework
Application
Presentation