Master of Arts in Music non-thesis | |||||
Master | TR-NQF-HE: Level 7 | QF-EHEA: Second Cycle | EQF-LLL: Level 7 |
Course Code: | MZK510 | ||||||||
Course Name: | Makam Analysis | ||||||||
Course Semester: | Fall | ||||||||
Course Credits: |
|
||||||||
Language of instruction: | |||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | No | ||||||||
Type of course: | Department Elective | ||||||||
Course Level: |
|
||||||||
Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Dr.Öğr.Üyesi ERHAN ÖZDEMİR | ||||||||
Course Lecturer(s): |
Dr.Öğr.Üyesi GÖKNİL BISAK ÖZDEMİR |
||||||||
Course Assistants: |
Course Objectives: | The aim of this course is to help students understand and analyze the makams in Turkish music. While students learn the theoretical foundations of makams, they also learn makam analysis with practical applications. will gain the ability to do it. |
Course Content: | The Concept of Authority and Basic Authorities Maqam Structure and Modulation Aesthetic and Emotional Analysis in Turkish Music Modes Composition Analysis and Practical Use of Maqams |
The students who have succeeded in this course;
|
Week | Subject | Related Preparation |
1) | The Concept of Authority and Basic Authorities Definition and characteristics of the office. Theoretical analysis of basic makams such as Hicaz, Rast, Uşşak. | |
2) | The Concept of Authority and Basic Authorities Definition and characteristics of the office. Theoretical analysis of basic makams such as Hicaz, Rast, Uşşak. | |
3) | Maqam Structure and Modulation Structural features of the authorities. Mode transitions and modulation techniques. | |
4) | Maqam Structure and Modulation Structural features of the authorities. Mode transitions and modulation techniques. | |
5) | Maqam Structure and Modulation Structural features of the authorities. Mode transitions and modulation techniques. | |
6) | esthetic and Emotional Analysis in Turkish Music Modes Emotional expressions of authorities. Usage areas of different authorities. | |
7) | Aesthetic and Emotional Analysis in Turkish Music Modes Emotional expressions of authorities. Usage areas of different authorities. | |
8) | Aesthetic and Emotional Analysis in Turkish Music Modes Emotional expressions of authorities. Usage areas of different authorities. | |
9) | Composition Analysis and Practical Use of Maqams Maqam analysis in classical Turkish music compositions. Practical examples on the use of authorities. | |
10) | Composition Analysis and Practical Use of Maqams Maqam analysis in classical Turkish music compositions. Practical examples on the use of authorities. | |
11) | Composition Analysis and Practical Use of Maqams Maqam analysis in classical Turkish music compositions. Practical examples on the use of authorities. | |
12) | Project and Presentation In-depth analysis of a maqam chosen by students. Presentation and discussion of analyzes in class. | |
13) | Project and Presentation In-depth analysis of a maqam chosen by students. Presentation and discussion of analyzes in class. | |
14) | Project and Presentation In-depth analysis of a maqam chosen by students. Presentation and discussion of analyzes in class. | |
15) | Project and Presentation In-depth analysis of a maqam chosen by students. Presentation and discussion of analyzes in class. | |
16) | Final Exam |
Course Notes / Textbooks: | Yalınayak, Ö. (2009). "Makamlar." Pan Yayıncılık. Özçürümez, G. (2013). "Türk Musikisi Nazariyatı ve Usulleri." Gece Kitaplığı. |
References: | Yalınayak, Ö. (2009). "Makamlar." Pan Yayıncılık. Özçürümez, G. (2013). "Türk Musikisi Nazariyatı ve Usulleri." Gece Kitaplığı. |
Learning Outcomes | 1 |
2 |
3 |
---|---|---|---|
Program Outcomes | |||
1) To provide a scientific understanding of music in addition to the work she will do with her instrument in the field of practice. |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To provide a scientific understanding of music in addition to the work she will do with her instrument in the field of practice. | 5 |
Expression | |
Individual study and homework | |
Lesson |
Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
Oral Examination | |
Homework |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 2 | 32 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 34 |