Week |
Subject |
Related Preparation |
1) |
• Content of THM Repertory and Style Course.
• Introducing THM Repertory and Style Course to Students.
• Explanation of the Concepts of “Repertory”, “Region”, “Region”, Style and “Attitude”. |
|
2) |
• Performance of Musical Genres with a Definitive Procedural Structure.
Performance of the piece "Bir Sabahtan Yolum Düştü Geline".
• Implementation of mouth and dagger features on the artifact. |
|
3) |
• Performing Works in Musical Genres with a Clear Procedural Structure
Performing the work “Sıra Sıra Siniler”.
• Implementation of mouth and dagger features on the artifact. |
|
4) |
• Performance of Musical Genres with a Definitive Procedural Structure.
• Performing the work “Minârenin Alemi”.
• Implementation of mouth and dagger features on the artifact.
• Performance of Musical Genres with a Definitive Procedural Structure. |
|
5) |
• Performance of Musical Genres with a Definitive Procedural Structure.
• Repetition of the three learned works.
• Individual practice of mouth and dagger features on the artifacts. |
|
6) |
• Performance of Musical Genres with a Definitive Procedural Structure.
Performing the piece “Ceviz Oynamaya Geldim Odana”.
• Implementation of mouth and dagger features on the artifact. |
|
7) |
• Performance of Musical Genres with a Definitive Procedural Structure.
• Performing the piece “Kandilli Yazmayı Kaldır Yüzünden”.
• Implementation of mouth and dagger features on the artifact. |
|
8) |
• MIDTERM EXAM
• Content of THM Repertory and Style Course.
• Performance of Musical Genres with a Definitive Procedural Structure.
• Introducing THM Repertory and Style Course to Students
• Explanation of the Concepts of “Repertory”, “Region”, “Region”, Style and “Attitude”
• Performing the piece “Bir Sabahtan Yolum Düştü Geline”.
• Performing the work “Sıra Sıra Siniler”.
• Performing the work “Minârenin Alemi”.
• Performing the piece “Ceviz Oynamaya Geldim Odana”.
• Performing the piece “Kandilli Yazmayı Kaldır Yüzünden”.
• Implementation of mouth and dagger features on the artifact.
|
|
9) |
• Performance of Musical Genres with a Definitive Procedural Structure.
Performing the work “Gemiciler Kalkalım”.
• Implementation of mouth and dagger features on the artifact. |
|
10) |
• Dagger Studies on the Execution of Artifacts.
• Dagger studies.
• Local dialect studies. |
|
11) |
• Performance of Musical Genres with a Definitive Procedural Structure.
Performing the work "Gemiciler Kalkalım".
• Implementation of mouth and dagger features on the artifact. |
|
12) |
• Performance of Musical Genres with a Definitive Procedural Structure.
• Performing the work “Gökyüzünde Bölük Bölük Durnalar”.
• Implementation of mouth and dagger features on the artifact. |
|
13) |
• Performance of Musical Genres with a Definitive Procedural Structure.
• Performing the work “Gökyüzünde Bölük Bölük Durnalar”.
• Implementation of mouth and dagger features on the artifact. |
|
14) |
• An overview.
• Dagger studies.
• Local dialect studies. |
|
15) |
• An overview.
• Dagger studies.
• Local dialect studies. |
|
16) |
FINAL EXAM
• Performance of Musical Genres with a Definitive Procedural Structure.
• Dagger Studies on the Execution of Artifacts.
• Performing the work “Gemiciler Kalkalım”.
• Performing the work “Gökyüzünde Bölük Bölük Durnalar”.
• Implementation of mouth and dagger features on the artifact.
• Dagger studies.
• Local dialect studies. |
|
|
Program Outcomes |
Level of Contribution |
1) |
To make students more effective and capable in their future professions as artists |
|
2) |
To increase students’ intuition and discover their creative power throughout their academic careers |
|
3) |
By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists |
|
4) |
To support students along their artistic journey and prepare them for fruitful, fulfilling careers |
|
5) |
By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society |
|
6) |
To build aesthetic awareness |
5 |
7) |
To increase awareness of local and international values surrounding music |
|
8) |
To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work |
|
9) |
To build a sensibility for success in their professional lives |
|
10) |
To become well-rounded individuals enriched with an interdisciplinary and diverse education |
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