Week |
Subject |
Related Preparation |
1) |
- General information about the course content
- General solfeggio and rhythm repetition |
- Ahmet Adnan Saygun Temel Musiki Bilgisi I - II - III - IV - Okan Üniversitesi Teori ve Solfej Müfredatı, Sight Reading Book I |
2) |
- Repeat about minor tones
- Repetition of 3 sharp and flat tones
- Transpose exercises for B flat clarinet |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
3) |
- Solfeggio exercises in minor tones
- Studies from the book on tonal deciphering
- Studies from Okan University theory and solfege book
- Analysis studies on the score from the theory and solfege book of Okan University |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
4) |
- Rhythmic dictation exercises
- Dictation exercises
- Rhythmic exercises from the theory and solfege book of Okan University
- Readings in 4 sharp and flat tones |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
5) |
- Dictation and solfeggio exercises
- Solfeggio studies from Okan University Curriculum |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
6) |
- Interval studies
- Repetition of tonal degrees
- Solfeggio and Rhythm repetition
- Analysis on the score
- Introduction to cadences |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
7) |
- General Repetition |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
8) |
- Midterm Exam |
|
9) |
- Midterm assessment
- Studies from the book Tonal Decipher I
- Repetition of intervals
- Sight reading
- Cadences |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
10) |
- Toeri, Solfeggio and Rhythm studies from Okan University Curriculum |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
11) |
- Cadence building and vocalization exercises
- Ear exercises
- Exercises in 4 sharp tones |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
12) |
- Dictation and Solfeggio Studies
- Fa key and left key mixed readings
- Left hand playing and right hand singing exercises |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
13) |
- B flat transpose exercises
- Analysis on the score
- Music terms repetition |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
14) |
- Rhythmic and melodic readings from the Okan University Curriculum
- Polyrhytm studies
- Deciphering exercises |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
15) |
- General Repetition |
- Ahmet Adnan Saygun Basic Music I - II - III - IV
- Okan University Theory and Solfeggio Book II
- Tonal Sight Reading I |
16) |
- Final exam |
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|
Program Outcomes |
Level of Contribution |
1) |
To make students more effective and capable in their future professions as artists |
|
2) |
To increase students’ intuition and discover their creative power throughout their academic careers |
|
3) |
By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists |
|
4) |
To support students along their artistic journey and prepare them for fruitful, fulfilling careers |
|
5) |
By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society |
|
6) |
To build aesthetic awareness |
5 |
7) |
To increase awareness of local and international values surrounding music |
|
8) |
To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work |
|
9) |
To build a sensibility for success in their professional lives |
|
10) |
To become well-rounded individuals enriched with an interdisciplinary and diverse education |
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