Music | |||||
Bachelor | TR-NQF-HE: Level 6 | QF-EHEA: First Cycle | EQF-LLL: Level 6 |
Course Code: | MZK487 | ||||||||
Course Name: | Chamber Music III | ||||||||
Course Semester: |
Fall |
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Course Credits: |
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Language of instruction: | TR | ||||||||
Course Requisites: | |||||||||
Does the Course Require Work Experience?: | Yes | ||||||||
Type of course: | Compulsory Elective | ||||||||
Course Level: |
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Mode of Delivery: | Face to face | ||||||||
Course Coordinator : | Assoc. Prof. NACİ MADANOĞLU | ||||||||
Course Lecturer(s): |
Assoc. Prof. NACİ MADANOĞLU |
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Course Assistants: |
Course Objectives: | To provide an overview of certain periods in the history of chamber music, to understand the stylistic features specific to the periods by analyzing selected works; to gain skills in understanding chamber music forms and creating their own works; learning the role and interaction of different instruments and developing instrumentation skills; It includes making music within the group and developing performance skills. It also aims to encourage students to reach a broad musical understanding by offering them a perspective that includes elements of Turkish music. |
Course Content: | Music theory and form analysis Cultural touch to Turkish Music and musical understanding Music History information Accompaniment and Performance Orchestration and instrumentation knowledge |
The students who have succeeded in this course;
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Week | Subject | Related Preparation |
1) | History of Chamber Music and the 20th Century | Lecture notes will be given to students weekly. |
2) | Lives and works of composers such as Debussy, Ravel, Bartok | Lecture notes will be given to students weekly. |
3) | Examining the works of 20th century composers | Lecture notes will be given to students weekly. |
4) | Providing students with works to be performed with accompaniment | Lecture notes will be given to students weekly. |
5) | Evaluating the form, history, vertical and horizontal harmony of selected works | Lecture notes will be given to students weekly. |
6) | Improvisation trials to improve students' performance before the midterm exam | Lecture notes will be given to students weekly. |
7) | Midterm Exam | |
8) | Analysis of a string quartet selected from the Classical Period | Lecture notes will be given to students weekly. |
9) | Giving the first four measures of a piece chosen from Haydn's works and recomposing it in accordance with the rules of harmony. | Lecture notes will be given to students weekly. |
10) | Evaluation and technical analysis of music written by students | Lecture notes will be given to students weekly. |
11) | Experimental music, spectral music, natal music, etc. explanation of definitions | Lecture notes will be given to students weekly. |
12) | Playing the works that students started in Week 4 and teaching the nuances and dynamics | Lecture notes will be given to students weekly. |
13) | General review and in-class stage experience before the final exam | Lecture notes will be given to students weekly. |
14) | Final Exam |
Course Notes / Textbooks: | Ders notları öğrencilere haftalık olarak temin edilecektir. |
References: | Chamber Music - A Research and Information Guide, John H. Baron Bartók's Chamber Music - János Kárpáti Gibbs, C. (2004). "The Cambridge Companion to Schubert." Marston, N. (2012). "Brahms and His World." |
Learning Outcomes | 1 |
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3 |
4 |
5 |
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Program Outcomes | |||||||||
1) To make students more effective and capable in their future professions as artists | |||||||||
2) To increase students’ intuition and discover their creative power throughout their academic careers | |||||||||
3) By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |||||||||
4) To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |||||||||
5) By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |||||||||
6) To build aesthetic awareness | |||||||||
7) To increase awareness of local and international values surrounding music | |||||||||
8) To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |||||||||
9) To build a sensibility for success in their professional lives | |||||||||
10) To become well-rounded individuals enriched with an interdisciplinary and diverse education |
No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
Program Outcomes | Level of Contribution | |
1) | To make students more effective and capable in their future professions as artists | |
2) | To increase students’ intuition and discover their creative power throughout their academic careers | |
3) | By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists | |
4) | To support students along their artistic journey and prepare them for fruitful, fulfilling careers | |
5) | By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society | |
6) | To build aesthetic awareness | |
7) | To increase awareness of local and international values surrounding music | |
8) | To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work | |
9) | To build a sensibility for success in their professional lives | |
10) | To become well-rounded individuals enriched with an interdisciplinary and diverse education |
Field Study | |
Expression | |
Individual study and homework | |
Lesson | |
Group study and homework | |
Reading | |
Homework |
Semester Requirements | Number of Activities | Level of Contribution |
Midterms | 1 | % 40 |
Final | 1 | % 60 |
total | % 100 | |
PERCENTAGE OF SEMESTER WORK | % 40 | |
PERCENTAGE OF FINAL WORK | % 60 | |
total | % 100 |
Activities | Number of Activities | Duration (Hours) | Workload |
Course Hours | 16 | 4 | 64 |
Midterms | 1 | 1 | 1 |
Final | 1 | 1 | 1 |
Total Workload | 66 |