Week |
Subject |
Related Preparation |
1) |
1-Towards the piano
don't notice your sitting
2-Keyboard Over medium
make your position
specification
3- Fingers of right and left hand
learning numbers
4-Legato technique
application
5-With works and exercises
one, two, quarter note
approach on hush
|
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method
|
2) |
-Motif in music and
recognize the sentence
-Sentence on the work and
recognizing the extension tie |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method
|
3) |
- Black on the keyboard and
white key relations
don't notice
- Chord playing technique
specification. |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
4) |
- Loudness in music recognize the steps.
- Nuance on the piano
applications.
- Fingers, wrists on the piano and forearm staccato
applying techniques. |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
5) |
- Exercises using black keys
is made
- The flat and sharp in the exercises he plays-
They are asked to show their work on the piano.
- Left hand chord, right hand melody
exercises are done.
-Simple chords under familiar melodies
They are asked to work on writing.
- Chords in different rhythmic structures on the left hand
work is done.
- Intense staccato in the right and left hands
technical works are watched from DVD. |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
6) |
- To develop two-hand coordination-
- Exercises with the hands in the left position
is made.
- Practice the position of Re, La, Mi on the piano. |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
7) |
- Crossing the ascending 3-1 and 4-1, descending 1-3 and 1-4 reverse motion fingers on the right and left hands application. |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
8) |
- Midterm exam |
|
9) |
- Applies the reverse scales in Do, Sol, Re, La, Mi positions as one, two, three, four octaves, respectively
- Right hand ascender 3-1 and 4-1 descender 1-3
and applies the 1-4 transition.
- Left hand ascenders 1-3 and 1-4 descenders 3-1 and 4-1 performs the finger transition.
- Applies parallel motion fingering in Do position. |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
10) |
- Practicing the legato technique in the right hand and the non-legato technique in the left hand.
- Practice non-legato on the right hand and legato technique on the left hand in the position.
-- A free track determined by level |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
11) |
- Right and left working exercises
- Chord technique |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
12) |
- Right and left hand coordination exercises
- Czerny exercises |
- Czerny Op.599 No:22,30,33
- Czerny Op.821 No:12,13
- Loeschhorn No:30
- Czerny Op.599 No:45
- Czerny Op.821 No:9,10
- Loeschhorn No:22,23 |
13) |
- Parallel Major Scales (Do-Left)
- Parallel Major Scales (Re-La-Mi) |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
14) |
- Reverse arpeggios on white keys |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
15) |
- General Repetition
- Reverse scale, parallel scale and arpeggios on white keys |
· Zongoraiskola Klavierschule 1
· Das Colorspiel am Klavier
· The Russian School of Piano Playing Part 1
· Step by Step Piano Course Book One
· James Bastien older beginner piano course
· Alfred piano method |
16) |
- Final Examination |
|
|
Program Outcomes |
Level of Contribution |
1) |
To make students more effective and capable in their future professions as artists |
|
2) |
To increase students’ intuition and discover their creative power throughout their academic careers |
|
3) |
By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists |
|
4) |
To support students along their artistic journey and prepare them for fruitful, fulfilling careers |
|
5) |
By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society |
|
6) |
To build aesthetic awareness |
5 |
7) |
To increase awareness of local and international values surrounding music |
|
8) |
To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work |
|
9) |
To build a sensibility for success in their professional lives |
|
10) |
To become well-rounded individuals enriched with an interdisciplinary and diverse education |
|