The students who have succeeded in this course;
Learning Outcomes |
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1 - Knowledge |
Theoretical - Conceptual |
1) Within the scope of this course, the conditions that prepared the birth of folklore, its historical development, basic concepts, content, important folklore theories and methods, research topics will be learned.
|
2 - Skills |
Cognitive - Practical |
1) Within the scope of this course, the conditions that prepared the birth of folklore, its historical development, basic concepts, content, important folklore theories and methods, research topics will be learned.
|
3 - Competences |
Communication and Social Competence |
Learning Competence |
Field Specific Competence |
1) Within the scope of this course, the conditions that prepared the birth of folklore, its historical development, basic concepts, content, important folklore theories and methods, research topics will be learned.
|
Competence to Work Independently and Take Responsibility |
|
Week |
Subject |
Related Preparation |
1) |
Folklore Bibliographies |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
2) |
Folklore Encyclopedias |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
3) |
Folklore Dictionaries |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
4) |
Relationship between Folklore and Folk Literature |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
5) |
Relationship between Folklore and Folk Dances |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
6) |
The Relationship between Folklore and Folk Music |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
7) |
The Relationship between Folklore and Folk Theater |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
8) |
Midterm |
|
9) |
The Relationship between Folklore and Belief |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
10) |
Folklore Theories |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
11) |
Folklore Theories |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
12) |
Folklore Theories |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
13) |
Folklore Theories |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
14) |
Folklore Theories |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
15) |
final examination |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
16) |
final examination |
Julius Krohn - Kaarle Krohn, Folklore Method
Nail Tan, Folklore (Folklore) General Information
Sedat Veyis Örnek, Turkish Folklore
Erman Artun Turkish Folklore |
|
Program Outcomes |
Level of Contribution |
1) |
To make students more effective and capable in their future professions as artists |
5 |
2) |
To increase students’ intuition and discover their creative power throughout their academic careers |
5 |
3) |
By enhancing creative potential, to widen the horizons of habitual thought and form open-minded and captivating artists |
5 |
4) |
To support students along their artistic journey and prepare them for fruitful, fulfilling careers |
5 |
5) |
By combining the reason of science and the sense of art, to create citizens ready to meet the substantial and spiritual needs of society |
5 |
6) |
To build aesthetic awareness |
5 |
7) |
To increase awareness of local and international values surrounding music |
5 |
8) |
To create a space where abstract and concrete concepts can be converted into creative power, as well as original and innovative artistic work |
5 |
9) |
To build a sensibility for success in their professional lives |
5 |
10) |
To become well-rounded individuals enriched with an interdisciplinary and diverse education |
5 |