ISTANBUL OKAN UNIVERSITY INFORMATION PACKAGE / COURSE CATALOGUE
| Master of Arts in Cinema & Television non-thesis | |||||
| Master | TR-NQF-HE: Level 7 | QF-EHEA: Second Cycle | EQF-LLL: Level 7 | ||
General course introduction information
| Course Code: | SİN537 | ||||||||
| Course Name: | Narration in Documentary Cinema | ||||||||
| Course Semester: | Fall | ||||||||
| Course Credits: |
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| Language of instruction: | TR | ||||||||
| Course Requisites: | |||||||||
| Does the Course Require Work Experience?: | No | ||||||||
| Type of course: | Compulsory | ||||||||
| Course Level: |
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| Mode of Delivery: | Face to face | ||||||||
| Course Coordinator : | Öğr.Gör. MUSTAFA ÜNLÜ | ||||||||
| Course Lecturer(s): |
Öğr.Gör. MUSTAFA ÜNLÜ |
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| Course Assistants: |
Course Objective and Content
| Course Objectives: | To understand the dynamics, structure and narrative style of documentary cinema by examining the historical development of documentary cinema. |
| Course Content: | The historical process of documentary cinema and the structural elements of documentary cinema constitute the content of the course. |
Learning Outcomes
The students who have succeeded in this course;
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Lesson Plan
| Week | Subject | Related Preparation |
| 1) | Components of documentary cinema | none |
| 2) | Soviet montage and conceptual tracking Poetic documentary | none |
| 3) | Spatial and emotional impact of shots | none |
| 4) | Contribution of continuity to reality Observer Documentary | none |
| 5) | Recognition of characters through conversations Fiction-cut | none |
| 6) | Drama | none |
| 7) | Narration through the character Conflict | none |
| 8) | Midterm | none |
| 9) | Brecht and alienating the audience segmented narration | none |
| 10) | reflective documentary | none |
| 11) | The structuring of the narrative – the story and the storyline Perspective and subjectivity | none |
| 12) | explanatory documentary | none |
| 13) | General evaluation | none |
| 14) | final exam | none |
Sources
| Course Notes / Textbooks: | none / yok |
| References: | Bill Nichols -Belgesel Sinemaya Giriş Belgesel Sinema 2009-2010 BSB Yayınları Belgesel Sinema 2008 BSB Yayınları Dave Saunders- Belgesel Paul Rotha- Belgesel Sinema |
Course-Program Learning Outcome Relationship
| Learning Outcomes | 1 |
2 |
|---|---|---|
| Program Outcomes | ||
| 1) The Master program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods. | ||
| 2) Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector. | ||
Course - Learning Outcome Relationship
| No Effect | 1 Lowest | 2 Low | 3 Average | 4 High | 5 Highest |
| Program Outcomes | Level of Contribution | |
| 1) | The Master program in Cinema and Television provides students with the ability to access, compile, interpret and evaluate information using scientific research methods. | 5 |
| 2) | Cinema and Television technical knowledge is learned and reinforced to gain expertise within the sector. | 5 |
Learning Activity and Teaching Methods
| Expression | |
| Brainstorming/ Six tihnking hats | |
| Individual study and homework | |
| Lesson | |
| Reading | |
| Homework |
Assessment & Grading Methods and Criteria
| Written Exam (Open-ended questions, multiple choice, true-false, matching, fill in the blanks, sequencing) | |
| Homework | |
| Application | |
| Individual Project |
Assessment & Grading
| Semester Requirements | Number of Activities | Level of Contribution |
| Midterms | 1 | % 40 |
| Final | 1 | % 60 |
| total | % 100 | |
| PERCENTAGE OF SEMESTER WORK | % 40 | |
| PERCENTAGE OF FINAL WORK | % 60 | |
| total | % 100 | |
Workload and ECTS Credit Grading
| Activities | Number of Activities | Duration (Hours) | Workload |
| Course Hours | 16 | 3 | 48 |
| Application | 5 | 15 | 75 |
| Project | 3 | 20 | 60 |
| Homework Assignments | 5 | 20 | 100 |
| Quizzes | 2 | 6 | 12 |
| Midterms | 1 | 3 | 3 |
| Final | 1 | 3 | 3 |
| Total Workload | 301 | ||